उन्मादी प्रेम .....

उफनते समुद्र  की 
लहरों सा 
उन्मादी प्रेम 
चाहता है 
पूर्ण समर्पण 
और निष्ठां 
और जब नहीं होती 
फलित इच्छा सम्पूर्ण 
तो उपज आती है 
मन में कुंठा 
कुंठित मन 
बिखेर देता है 
सारे वजूद को 
ज़र्रा ज़र्रा 

बिखरा वजूद 

बन जाता है 
हास्यास्पद 
घट  जाता है 
व्यक्ति का कद 
लोगों की नज़रों में 
निरीह सा 
बन जाता है 
अपनों से जैसे 
टूट जाता नाता है 
गर बचना है 
इस परिस्थिति  से 
तो मुक्त करना होगा मन 
उन्माद छोड़ 
मोह को करना होगा भंग|
मोह के भंग होते ही 
उन्माद का ज्वर 
उतर जायेगा 
मन का समंदर भी 
शांत लहरों से 
भर जाएगा ......

(संगीता  स्वरुप )

If your blood type is...The Science of Blood Compatibility

The Science of Blood Compatibility

The compatibility of blood for transfusion depends on specific markers, called antigens, found on the surface of your red blood cells (RBCs) and the antibodies circulating in your plasma.

1. The ABO System (A, B, AB, O)

This system is determined by the presence or absence of two main antigens: Antigen A and Antigen B.

Blood Type	Antigens on RBCs	Antibodies in Plasma	Why Incompatibility Occurs
Type A	A Antigen	Anti-B Antibody	The Anti-B antibodies will attack Type B or AB blood.
Type B	B Antigen	Anti-A Antibody	The Anti-A antibodies will attack Type A or AB blood.
Type AB	A and B Antigens	None	Since there are no Anti-A or Anti-B antibodies, it will not attack any blood type.
Type O	None	Anti-A and Anti-B Antibodies	The antibodies will attack any blood type containing A or B antigens (A, B, or AB).

2. The Rh System (Positive vs. Negative)

This system is determined by the presence or absence of the RhD Antigen (also called the Rhesus Factor).

• Rh Positive (+): Has the RhD antigen on the RBC surface. Does not produce anti-Rh antibodies.

• Rh Negative (-): Lacks the RhD antigen. Can develop anti-Rh antibodies if exposed to Rh-positive blood (e.g., during a transfusion or pregnancy).

Universal Donor & Universal Recipient

The universal classifications are based on the compatibility rules for Red Blood Cell transfusions:

Universal Donor: O Negative (O-)

• Why? Type O- red blood cells have NO A, B, or RhD antigens.

• Impact: Since there are no antigens to be recognized as "foreign," the recipient's immune system (antibodies) has nothing to attack. This blood can be safely given to people of any blood type in an emergency.

Universal Recipient: AB Positive (AB+)

• Why? Type AB+ blood has ALL A, B, and RhD antigens.

• Impact: Because the recipient's body already recognizes all three antigens, their plasma contains NO corresponding antibodies (Anti-A, Anti-B, or Anti-Rh). Therefore, they can safely receive red blood cells from any blood type without an immune reaction.

Transfusion Compatibility Grid

The image summarizes this by showing who can donate red blood cells to whom (Donor → Recipient):

Donor Blood Type	Can Donate Red Cells To:
O- (Universal Donor)	ALL (O+, O-, A+, A-, B+, B-, AB+, AB-)
O+	O+, A+, B+, AB+
A-	A-, A+, AB-, AB+
A+	A+, AB+
B-	B-, B+, AB-, AB+
B+	B+, AB+
AB-	AB-, AB+
AB+ (Universal Recipient)	AB+ only

Rules For  Plasma Transfusion

The rules for plasma donation and receipt are the reverse of the rules for red blood cell donation because, in plasma transfusions, we are focused on the antibodies in the donor's plasma, not the antigens on the red blood cells.

The Inverse Rules: Plasma Transfusion

Plasma is the liquid component of blood that contains antibodies. The primary goal in a plasma transfusion is to ensure the donor's antibodies do not attack the recipient's red blood cell antigens.

Donor Blood Type	Plasma Antibodies (The Danger)	Can Donate Plasma To:	Why It Works
Type O	Anti-A and Anti-B	O only	O plasma contains strong antibodies. It must only be given to Type O recipients who have no A or B antigens for the antibodies to attack.
Type A	Anti-B	A, AB	The plasma's Anti-B antibodies won't react with the recipient's A antigen.
Type B	Anti-A	B, AB	The plasma's Anti-A antibodies won't react with the recipient's B antigen.
Type AB	None	ALL (O, A, B, AB)	AB plasma is the Universal Plasma Donor because it contains no Anti-A or Anti-B antibodies. It can be given safely to anyone.

Key Takeaways for Plasma:

1. Universal Plasma Donor: AB Plasma. (It has no Anti-A or Anti-B antibodies to cause harm.)

2. Universal Plasma Recipient: O Plasma. (They can only receive O plasma, as all others have dangerous antibodies.)

3. Rh Factor: The Rh factor is generally not as critical in plasma donation as it is in red blood cell donation, though some guidelines recommend matching the Rh factor, especially for women of childbearing age.

ArtWork made with crockery

Main kuch kuch bhulta jata hoon ab tujhko.flv/// nazm by Gulzar

The phrase "Main kuch kuch bhoolta jaata hoon ab tujhko" (मैं कुछ कुछ भूलता जाता हूँ अब तुझको), which translates to "I am slowly forgetting you now," is deeply characteristic of the profound and often melancholic poetry of Gulzar Sahab.

While a specific full-length video explaining this single line by Gulzar may not be readily available (as the search results show related poetry content), we can analyze the meaning and context in which he would typically use such a powerful expression.

Explanation of the Feeling

The phrase encapsulates a complex mix of loss, healing, and reluctant acceptance in a separation or breakup.

1. The Pain of Transition ("Kucch Kucch" - Slowly)

• Meaning: The use of "kuch kuch" (slowly/bit by bit) is crucial. It signifies that the forgetting is not sudden or forceful, but a gradual, painful process. The narrator is not happy to forget; they are merely acknowledging the sad reality that memory is fading over time.

• Gulzar's Style: This reflects Gulzar's mastery of using simple, everyday words to convey immense emotional depth. The slow fading of memory often hurts more than a clean, immediate break.

2. The Shift from Passive to Active (Jaata Hoon - I am going)

• Meaning: The phrase "bhoolta jaata hoon" implies an ongoing, active state of forgetting. It suggests the narrator is a weary traveler on the path of forgetting. It's not "I have forgotten you," but "I am in the process of forgetting you."

• Thematically: This theme often appears in his works dealing with the passage of time, where memories are the only remnants of a lost relationship, and the character is fighting to hold onto them even as they slip away.

3. The Reluctant Acceptance

• Subtext: The line acknowledges a crucial moment in heartbreak: the point where the pain starts to dull and the beloved's image begins to blur. It is a moment of sadness because forgetting means the end of the connection, even if the connection was only in memory.

Context in Gulzar's Poetry

Gulzar's poems often treat memories as physical, tangible things. This line is likely part of a longer poem where the narrator details what exactly they are forgetting:

• Perhaps they are forgetting the sound of the person's voice, the details of their handwriting, or the smell of their favourite perfume.

• This detailed description of the fading memories would serve to make the final statement—"I am slowly forgetting you"—even more heartbreaking.

In short, this quote is a beautiful, melancholic acknowledgment of the sad, slow process of moving on from a profound love.

(This video is posted by channel –  Atif Vohra on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

सपने.......

मैंने 
सपने खरीदे हैं 

तरह तरह के सपने  …
कुछ महंगे …
कुछ सस्ते …
कुछ झूठे …
कुछ सच्चे …

कुछ सच मुच 
सच मुच बहुत अच्छे  !!

लेकिन अफ़सोस 
मेरी आँखों में 
कोई फिट नहीं बैठता 

अब 
मेरे सामने है
मेरे सपनों का ढेर 
और -एक सवाल 

है कोई…
जो तराश सके  ?

या आँखें 
या सपने  !!


(मंजू मिश्रा )

Ab umr ki naqdi khatm huyi by Ibn-e-Insha

Ab umar ki naqdi khatam huyi 

ab hum ko udhaar ki haajat hai 

hai koi jo sahokaar bane? 

hai koi jo dewan haar bane? 

kuch saal maheene din logon! 

par sood biyaj ke bin logo! 

haan apni jaan ke khazane se 

haan umer ke tosha-e-khane se 

kya koi bhi sahokaar nahi? 

kya koi bhi dewan haar nahi? 

jab naam udhaar ka aaya hai 

kyun sab ne sar ko jhukaya hai 

kuch kaam hamein niptaane hain 

jinhen janne waale jane hain 

kuch pyar dulaar ke dhande hain 

kuch jag ke doosre phande hain 

hum mangte nahi hazaar baras 

dus paanch baras do chaar baras 

haan sood boyaaj bhi de leinge 

haan aur khiraaj bhi de leinge 

asaan bane dushwaar bane 

par koi to dewan haar bane 

tum kon tumhara naam hai kya? 

kuchhum se tum ko kaam hai kya? 

kyun is majme me aaye ho? 

kuch maangte ho?kuch laye ho? 

teh kaarobaar ki bateen hain 

yeh naqad udhaar ki bateen hain 

hum bethain hain kashkool liye 

sab umar ki naqdi khatam kiye 

gar shair ke rishte aaye ho 

tab samjho jald judai ho 

ab geet gaya sangeet gaya 

haan shair ka mousam beet gaya 

ab patjhar aayi paat girey 

kuch subha girey kuch raat girein

yeh apne yaar purane hain 

ik umer se hum ko jaane hain 

in sab ke paas hai maal bohat 

haan! umer ke maah-o-saal bohat 

in sab ko humne bulaya hai 

aur jholi ko phelaya hai 

tum jao, insey baat karein 

hum tum se na mulaqaat karein

kya paanch baras? 

kya umer ke apne paanch baras? 

tum jaan ki thaili laye ho? 

kya pagal ho soodai ho? 

jab umer ka aakhir aata hai 

har din sadiyaan ban jata hai 

jeene ki hawis hi nirali hai 

hai koun jo issey khaali hai 

kya mout se pehle marna hai? 

tum ko to bohat kuch karna hai 

phir tum ho hamari koun bhala 

Haan tum se hammara kiya Rishta??

Kiya sood byaaj ka laalach hai?

Kisi aur kharaaj ka laalach hai?

Tum sohni ho, man- mohni ho!

Tum ja ker poori umr jeeyoo!

Yeah paanch baras yeah chaar baras

Chhin jayein tou laggeiN hazar baras

Sub dost gaye sub yaar gaye

They jitnay sahookaar gaye

Bus Eik yeah naari bethi hai!

Yeah kon hai?kiya hai? kaisi hai?

HaaN ummr hummeiN darkaar bhi hai

HaaN jeenay se hummeiN pyaar bhi hai

Jab maaNgeiN jeevan ki ghaRiyaaN

"Gustaakh AkhiyaaN kith Ja laRiyaaN"

Hum qarz tummeiN lauta deinge

Kuch aur bhi ghaRiyaaN la Deinge

Ju Saa'at-o mah-o saal nahiN

Wo ghaRiyaaN jin ko zavaal nahiN

Lo Apnay Ji MeiN Utaar Liya

Lo Hum Nay Tum Se Udhaar Liya...

 Ibn-e-Insha

The poem uses the metaphor of a Sahokaar (Money Lender) and Naqdi (Cash) to represent the transaction of life and time.

Section 1: The Request for a Loan

The narrator begins with a stark realization of his mortality and the depletion of his life's savings:

• "Ab umar ki naqdi khatam huyi / ab hum ko udhaar ki haajat hai..." (The cash of my age is now finished / now I have a need for a loan...)

  • Explanation: The poet equates his life span with a bank account that has run dry. He urgently needs more time, which he frames as a loan.

• "hai koi jo sahokaar bane? / hai koi jo dewan haar bane?" (Is there anyone who can be a money-lender? / Is there anyone who can be a giver?)

  • Explanation: He pleads with an unknown entity (perhaps God, life, or the universe) for an extension.

• "kuch saal maheene din logon! / par sood biyaj ke bin logo!" (A few years, months, days, people! / But without interest or profit, people!)

  • Explanation: He makes a simple request for time, hoping to avoid the heavy price (interest) of borrowed time.

Section 2: The World's Silence

The narrator's request is met with silence, leading to reflection on unfinished business:

• "kya koi bhi sahokaar nahi? / kyun sab ne sar ko jhukaya hai..." (Is there no money-lender? / Why has everyone lowered their head...)

  • Explanation: When the topic of lending time (life) comes up, everyone (representing his peers or the world) turns away, acknowledging the impossibility of the request.

• "kuch kaam hamein niptaane hain... / kuch pyar dulaar ke dhande hain / kuch jag ke doosre phande hain" (I have some tasks to complete... / some business of love and affection / some other worldly traps/dealings)

  • Explanation: He justifies his need for more time by listing the unfulfilled emotional tasks—the gentle dealings of life and love he still needs to attend to.

Section 3: Negotiation and Desperation

His plea becomes more desperate, showing he is willing to pay any price:

• "hum mangte nahi hazaar baras / dus paanch baras do chaar baras" (I am not asking for a thousand years / just ten, five, two, or four years.)

• "haan sood boyaaj bhi de leinge / haan aur khiraaj bhi de leinge" (Yes, I will give the interest too / Yes, I will also give the tax/tribute.)

  • Explanation: He retracts his earlier request for a free loan and is now willing to pay the price—be it sood (interest) or khiraaj (tribute/tax)—for a short extension.

Section 4: The Intruder and the Friends

A sudden shift introduces an unexpected presence and dismisses his initial audience:

• "tum kon tumhara naam hai kya? / kyun is majme me aaye ho?" (Who are you, what is your name? / Why have you come to this gathering?)

  • Explanation: He confronts someone new who has entered the "gathering" of his financial crisis (his friends/peers).

• "ab geet gaya sangeet gaya / haan shair ka mousam beet gaya... / ab patjhar aayi paat girey" (Now the song is gone, the music is gone / Yes, the season of poetry is over... / Now autumn has come, the leaves have fallen.)

  • Explanation: He uses the metaphor of autumn to describe his age, signaling the end of his prime creative life.

• "tum jao, insey baat karein / hum tum se na mulaqaat karein" (You go, I will speak to them / I will not meet with you.)

  • Explanation: He tells the intruder to leave, preferring to deal with his old friends (yaar purane), who possess umer ke maah-o-saal (the months and years of age), hoping one of them will offer him time.

Section 5: The Recognition and The Twist

The poem reaches its emotional climax as the old friends flee, leaving only the intruder:

• "Sub dost gaye sub yaar gaye / They jitnay sahookaar gaye" (All friends left, all lovers left / All the money-lenders left.)

• "Bus Eik yeah naari bethi hai! / Yeah kon hai? kiya hai? kaisi hai?" (Only this one woman is sitting! / Who is she? What is she? How is she?)

  • Explanation: His peers, who had plenty of time, all fled when asked to share. The only one left is the mysterious, beautiful woman he had initially dismissed.

• "Tum sohni ho, man-mohnni ho! / Tum ja ker poori umr jeeyoo!" (You are beautiful, heart-stealing! / You go and live your full life!)

  • Explanation: He sees her youth and urges her not to sacrifice her precious years, acknowledging the value of the time he is asking for.

Section 6: The Final Deal

The poem concludes with the narrator realizing that only love and affection can truly offer an extension of life, not money or logic:

• "Jab maaNgeiN jeevan ki ghaRiyaaN / "Gustaakh AkhiyaaN kith Ja laRiyaaN" (When I ask for the moments of life / "Where did the naughty eyes go and fight [i.e., meet]?)

  • Explanation: This line suggests the woman is his beloved, and the memory of their loving gaze is what brings life back.

• "Hum qarz tummeiN lauta deinge / Kuch aur bhi ghaRiyaaN la Deinge" (I will return the loan to you / I will bring you some more moments.)

• "Ju Saa'at-o mah-o saal nahiN / Wo ghaRiyaaN jin ko zavaal nahiN" (Those moments that are not hours, months, or years / Those moments which have no end [decay].)

  • Explanation: He promises to repay her not with time itself, but with eternal, timeless moments of love and memory—moments of joy that defy the decay of age.

• "Lo Apnay Ji MeiN Utaar Liya / Lo Hum Nay Tum Se Udhaar Liya......" (See, I have absorbed it within my soul / See, I have taken the loan from you...)

The "loan" is ultimately taken from his beloved's essence, suggesting that the best part of living longer is the love and emotional fulfillment it brings, which is the only thing that can truly conquer the fear of death.

Tumhein humse mohabbat hai

Bohat Muddat Say Aesa Hai

Keh Tum Khamosh Rehtay Ho

Koii Gehra Hai Ghum Shayed 

Jisay Chup Chaap Sehtay Ho 

Yoon Hi Chaltay Huye Tanha 

Koii Ghumgeen Sa Nagma

Tum Akser Gungunaatay Ho 

Douraan -e- Guftagu Yun Hi 

Mili Nazron Say Jab Nazrain 

Tu Baatain Bhool Jaate Ho 

Kaise Gum Sum Si Haalat Mein 

Ya Phir Barish Ke Mousam Mein 

Faqat Itna Hi Kehte Ho 

Udaasi Be-Wajah Si Hai 

Bohat Bojhal Tabiyat Hai

Bhala Sach Kyun Nahi Kehte 

" Tumhay Mujh Se Mohabbat Hai "

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