Saari raat tera takkniaan raah..... Full Version Video (Punjabi Film : Chaman 1948) #saregama

 The song "Saari raat tera takkniaan raah" (often transcribed as Sari Raat Tera Takdi Aan Raah) is a profound classic from early Punjabi cinema.

Kaali kanghi naal kaale waal..... Video (Punjabi Film : Lachhi 1949)..#saregama #hmv

 The song "Kaali kanghi naal kaale waal" is a famous classic Punjabi song from the movie Lachhi (1949).

Here is a description of the song:

Naalle lammi te naalle kaali haaye ve channa raat judaiyaan waali~Video (Punjabi Film : Lachhi 1949)

 The song "Naalle lammi te naalle kaali haaye ve channa raat judaiyaan waali" is a highly popular and classic Punjabi film song from the movie Lachhi (1949).

Here is a description of the song:

Chunni Apni Nu Rang Keeta - Mohd Rafi & Asha Bhonsle - Pardesi Dhola - Chand Burke, Indira, Jeevan

 Read this post in English , Hindi , Punjabi , Urdu

 

Hai Ni Mera Balam Hai Bada Zalam | Shamshad Begum | Old Punjabi Songs 2024 

"Hai Ni Mera Balam Hai Bada Zalam" is a classic Punjabi song performed by Shamshad Begum, with music by Hansraj Behl and lyrics by Verma Malik. It is from the 1961 film "Guddi."

The song is a humorous and slightly exasperated complaint from a wife about her husband's unpredictable behavior. The title itself translates to "Oh, my husband is so cruel."

The lyrics describe a man who is a mixture of being loving one moment and cruel the next. She sings about how he sometimes shows her affection but then "hits" her with his harsh words. She questions this inconsistency in his behavior, saying that he sometimes smiles and calls to her, but then gets upset and storms away for no reason.

The song is a playful take on the dynamics of a relationship where one person's mood swings keep the other on their toes. It captures the singer's confusion and frustration, but also hints at a deeper affection despite his "cruel" nature.

(This video is posted by channel – {Saregama Punjabi } on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Pyaar De Bhulekhe - Mohd Rafi & Lata Mangeshkar - Guddi - Hansraj Bahl

 

"Pyaar De Bhulekhe" is a beautiful and classic Punjabi duet, and your information about its singers, film, and music director is spot on!

• Singers: The legendary voices of Mohammed Rafi and Lata Mangeshkar coming together is always a magical combination. Their ability to infuse deep emotion into every note made them unparalleled.

• Film: Guddi is likely referring to a Punjabi film, as the music director and the song itself are deeply rooted in Punjabi cinema and music. (It's important to distinguish it from the famous Hindi film "Guddi" from 1971, which had different songs).

• Music Director: Hansraj Bahl was a highly respected and prolific music director in Punjabi cinema, known for creating soulful melodies that captured the essence of Punjabi culture and poetry.

"Pyaar De Bhulekhe" would typically be a romantic song, perhaps exploring themes of:

• The illusion or delusion of love ("bhulekhe" can mean illusions, misunderstandings, or strong perceptions).

• The sweet confusion that love brings.

• The lingering thoughts or memories of a beloved.

With Rafi Saab's evocative male voice and Lata Mangeshkar's ethereal female voice, under the masterful direction of Hansraj Bahl, this song would undoubtedly be a timeless piece, rich in melody and emotion, celebrating the complexities of love in a truly Punjabi style. It's a classic that Punjabi music lovers cherish.

(This video is posted by channel – {Filmi Gaane Sune Ansune} on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Main Wari Main Wari Meri SAMMIYE

Read in Punjabi, Hindi, English

ਪੰਜਾਬੀ ਚ ਸਾਰ 

ਇਹ ਗੀਤ ਸਿਮਰਨ ਦੀ ਮਾਂ (ਸਾਮੀਏ) ਦੇ ਦ੍ਰਿਸ਼ਟੀਕੋਣ ਤੋਂ ਗਾਇਆ ਗਿਆ ਹੈ।
ਗੀਤ ਦੇ ਬੋਲ ਮਾਂ ਦੀਆਂ ਭਾਵਨਾਵਾਂ ਨੂੰ ਪ੍ਰਗਟ ਕਰਦੇ ਹਨ, ਜੋ ਆਪਣੀ ਧੀ ਦੀ ਵਿਦਾਈ ਅਤੇ ਵਿਆਹ ਤੋਂ ਬਾਅਦ ਉਸ ਦੇ ਨਵੇਂ ਜੀਵਨ ਵਿੱਚ ਮੇਲ ਨਾ ਖਾਣ ਦੇ ਦਰਦ ਨੂੰ ਮਹਿਸੂਸ ਕਰਦੀ ਹੈ।
ਮਾਂ ਧੀ ਨੂੰ ਕਹਿੰਦੀ ਹੈ ਕਿ ਉਹ ਉਸ ਨੂੰ ਆਪਣੇ ਦਿਲ ਦਾ ਟੁਕੜਾ ਮੰਨਦੀ ਹੈ ਅਤੇ ਉਸ ਤੋਂ ਦੂਰ ਹੋਣ ਦਾ ਦਰਦ ਬਹੁਤ ਡੂੰਘਾ ਹੈ।
ਇਹ ਗੀਤ ਰਵਾਇਤੀ ਪੰਜਾਬੀ ਲੋਕਗੀਤ ਵਾਂਗ ਹੈ, ਜਿਸ ਨੂੰ 'ਘੋੜੀ' ਜਾਂ 'ਸੁਹਾਗ' ਵਾਂਗ ਵਿਦਾਈ ਦੇ ਸਮੇਂ ਗਾਇ ਜਾਂਦਾ ਹੈ।

Ishtihaar-Rabbi Shergill (written by Shiv Kumar Batalwi)

This song is written by the famous Punjabi poet Shiv Kumar Batalwi.The title "Ishtihaar" itself means "announcement" or "declaration." The song is essentially a public proclamation of the speaker's profound loss and his yearning for the return of his beloved. It's as if he's putting up an advertisement, not for a lost item, but for a lost soulmate.

(This video is posted by channel – Rabbi Shergill on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Charkha Mera Rangla-Chitra Singh video posted by by Suhanee Lall

The song "Charkha Mera Rangla" is a beautiful Punjabi folk song, and it has indeed been popularized by the melodious voice of Chitra Singh.

It's a classic example of a "charkha song," which traditionally express a woman's feelings – often longing, love, or even philosophical reflections – while she is spinning yarn on a charkha (spinning wheel). The charkha itself becomes a metaphor for life, time, or the beloved.

Chitra Singh's rendition is known for its soulful and heartfelt delivery, perfectly capturing the essence of the lyrics. It's often associated with Ghazal and folk music genres.

(This video is posted by channel – Suhanee Lall on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Kothey Te Khalo Mahiya - Asa Singh Mastana & Surinder Kaur ( ਕੋਠੇ ਤੇ ਖਲੋ ਮਾਹੀਆ)

Video posted by Asa Singh Mastana (original Singer of this Song ) on You Tube 

"Kothe Te Khalo Mahiya" is a classic Punjabi folk song, often performed as a duet. It's a "tappa," a short and lively form of Punjabi folk poetry, known for its playful and flirtatious back-and-forth between a man and a woman.

The song has been performed by several legendary Punjabi artists over the years, most notably as a duet by:

• Asa Singh Mastana and Surinder Kaur: This is one of the most famous and iconic versions. Their voices beautifully complement each other, capturing the essence of the song's playful dialogue.

• Jagjit Singh and Chitra Singh: The Ghazal legends also gave their own unique rendition to this folk classic, which is widely popular and celebrated for its soulful delivery.

The song's lyrics often depict a lover calling out to their beloved to come to the rooftop ("kothe te") to meet, and the beloved responding with witty and sometimes teasing replies. It's a staple of Punjabi folk music and has been remixed and reinterpreted by many modern artists as well.

"ਕੋਠੇ ਤੇ ਖਲੋ ਮਾਹੀਆ" ਇੱਕ ਕਲਾਸਿਕ ਪੰਜਾਬੀ ਲੋਕ ਗੀਤ ਹੈ, ਜੋ ਅਕਸਰ ਇੱਕ ਦੋਗਾਣੇ ਵਜੋਂ ਪੇਸ਼ ਕੀਤਾ ਜਾਂਦਾ ਹੈ। ਇਹ ਇੱਕ "ਟੱਪਾ" ਹੈ, ਪੰਜਾਬੀ ਲੋਕ ਕਵਿਤਾ ਦਾ ਇੱਕ ਛੋਟਾ ਅਤੇ ਜੀਵੰਤ ਰੂਪ, ਜੋ ਇੱਕ ਆਦਮੀ ਅਤੇ ਇੱਕ ਔਰਤ ਦੇ ਵਿਚਕਾਰ ਮਜ਼ਾਕੀਆ ਅਤੇ ਫਲਰਟੀ ਗੱਲਬਾਤ ਲਈ ਜਾਣਿਆ ਜਾਂਦਾ ਹੈ।

ਇਹ ਗੀਤ ਕਈ ਮਹਾਨ ਪੰਜਾਬੀ ਕਲਾਕਾਰਾਂ ਦੁਆਰਾ ਸਾਲਾਂ ਦੌਰਾਨ ਪੇਸ਼ ਕੀਤਾ ਗਿਆ ਹੈ, ਖਾਸ ਤੌਰ 'ਤੇ ਇੱਕ ਦੋਗਾਣੇ ਵਜੋਂ:

• ਆਸਾ ਸਿੰਘ ਮਸਤਾਨਾ ਅਤੇ ਸੁਰਿੰਦਰ ਕੌਰ: ਇਹ ਸਭ ਤੋਂ ਮਸ਼ਹੂਰ ਅਤੇ ਪ੍ਰਤੀਕ ਸੰਸਕਰਣਾਂ ਵਿੱਚੋਂ ਇੱਕ ਹੈ। ਉਹਨਾਂ ਦੀਆਂ ਆਵਾਜ਼ਾਂ ਇੱਕ ਦੂਜੇ ਦੀ ਖੂਬਸੂਰਤੀ ਨਾਲ ਪੂਰਕ ਹਨ, ਜੋ ਗੀਤ ਦੇ ਮਜ਼ਾਕੀਆ ਸੰਵਾਦ ਦੇ ਤੱਤ ਨੂੰ ਕੈਪਚਰ ਕਰਦੀਆਂ ਹਨ।

• ਜਗਜੀਤ ਸਿੰਘ ਅਤੇ ਚਿੱਤਰਾ ਸਿੰਘ: ਗ਼ਜ਼ਲ ਦੇ ਮਹਾਨ ਕਲਾਕਾਰਾਂ ਨੇ ਵੀ ਇਸ ਲੋਕ ਕਲਾਸਿਕ ਨੂੰ ਆਪਣੀ ਵਿਲੱਖਣ ਪੇਸ਼ਕਾਰੀ ਦਿੱਤੀ, ਜੋ ਕਿ ਬਹੁਤ ਮਸ਼ਹੂਰ ਹੈ ਅਤੇ ਇਸਦੀ ਭਾਵਪੂਰਤ ਪੇਸ਼ਕਾਰੀ ਲਈ ਮਨਾਈ ਜਾਂਦੀ ਹੈ।

ਗੀਤ ਦੇ ਬੋਲ ਅਕਸਰ ਇੱਕ ਪ੍ਰੇਮੀ ਨੂੰ ਆਪਣੇ ਪਿਆਰੇ ਨੂੰ ਛੱਤ ("ਕੋਠੇ ਤੇ") 'ਤੇ ਮਿਲਣ ਲਈ ਬੁਲਾਉਂਦੇ ਹੋਏ ਦਰਸਾਉਂਦੇ ਹਨ, ਅਤੇ ਪਿਆਰਾ ਚੁਸਤ ਅਤੇ ਕਈ ਵਾਰ ਛੇੜਛਾੜ ਵਾਲੇ ਜਵਾਬ ਦਿੰਦਾ ਹੈ। ਇਹ ਪੰਜਾਬੀ ਲੋਕ ਸੰਗੀਤ ਦਾ ਇੱਕ ਮੁੱਖ ਆਧਾਰ ਹੈ ਅਤੇ ਕਈ ਆਧੁਨਿਕ ਕਲਾਕਾਰਾਂ ਦੁਆਰਾ ਵੀ ਇਸਨੂੰ ਰੀਮਿਕਸ ਅਤੇ ਮੁੜ ਵਿਆਖਿਆ ਕੀਤਾ ਗਿਆ ਹੈ।

(This video is posted by channel – Asa Singh Mastana on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Teriyan Mohabbatan Ne Maar Suttiya (video posted on you tube by SAREGAMA punjabi) ਤੇਰੀਆਂ ਮੁਹੱਬਤਾਂ ਨੇ ਮਾਰ ਸੱਟਿਆ

Terian Mohabtan Nemaa Sutea | Narinder Biba | Old Punjabi Songs | Punjabi Songs 2022

"Terian Mohabtan Ne maar  Suttea" is a beautiful and classic Punjabi song, and it's most famously sung by the legendary Narinder Biba.

Narinder Biba was a prominent figure in Punjabi folk music, known for her powerful and expressive voice. Her rendition of this song, like many others, is cherished for its emotional depth and traditional Punjabi folk style.

While the song itself is an "Old Punjabi Song," it continues to be loved and heard, which is why it might be listed with tags like "Punjabi Songs 2022" to reflect its enduring popularity even today. It's a testament to the timeless appeal of Narinder Biba's music and the rich tradition of Punjabi folk.

"ਤੇਰੀਆਂ ਮੁਹੱਬਤਾਂ ਨੇ ਮਾਰ ਸੱਟਿਆ" ਇੱਕ ਖੂਬਸੂਰਤ ਅਤੇ ਕਲਾਸਿਕ ਪੰਜਾਬੀ ਗੀਤ ਹੈ, ਅਤੇ ਇਹ ਸਭ ਤੋਂ ਮਸ਼ਹੂਰ ਤੌਰ 'ਤੇ ਮਹਾਨ ਨਰਿੰਦਰ ਬੀਬਾ ਦੁਆਰਾ ਗਾਇਆ ਗਿਆ ਹੈ।

ਨਰਿੰਦਰ ਬੀਬਾ ਪੰਜਾਬੀ ਲੋਕ ਸੰਗੀਤ ਵਿੱਚ ਇੱਕ ਪ੍ਰਮੁੱਖ ਸ਼ਖਸੀਅਤ ਸਨ, ਜੋ ਆਪਣੀ ਸ਼ਕਤੀਸ਼ਾਲੀ ਅਤੇ ਭਾਵਪੂਰਤ ਆਵਾਜ਼ ਲਈ ਜਾਣੇ ਜਾਂਦੇ ਸਨ। ਇਸ ਗੀਤ ਦੀ ਉਹਨਾਂ ਦੀ ਪੇਸ਼ਕਾਰੀ, ਕਈ ਹੋਰਾਂ ਵਾਂਗ, ਇਸਦੀ ਭਾਵਨਾਤਮਕ ਡੂੰਘਾਈ ਅਤੇ ਰਵਾਇਤੀ ਪੰਜਾਬੀ ਲੋਕ ਸ਼ੈਲੀ ਲਈ ਪਿਆਰੀ ਹੈ।

ਜਦੋਂ ਕਿ ਗੀਤ ਖੁਦ ਇੱਕ "ਪੁਰਾਣਾ ਪੰਜਾਬੀ ਗੀਤ" ਹੈ, ਇਹ ਅਜੇ ਵੀ ਪਸੰਦ ਕੀਤਾ ਜਾਂਦਾ ਹੈ ਅਤੇ ਸੁਣਿਆ ਜਾਂਦਾ ਹੈ, ਇਸੇ ਕਰਕੇ ਇਸਨੂੰ "ਪੰਜਾਬੀ ਗੀਤ 2022" ਵਰਗੇ ਟੈਗਸ ਨਾਲ ਸੂਚੀਬੱਧ ਕੀਤਾ ਜਾ ਸਕਦਾ ਹੈ ਤਾਂ ਜੋ ਅੱਜ ਵੀ ਇਸਦੀ ਸਥਾਈ ਪ੍ਰਸਿੱਧੀ ਨੂੰ ਦਰਸਾਇਆ ਜਾ ਸਕੇ। ਇਹ ਨਰਿੰਦਰ ਬੀਬਾ ਦੇ ਸੰਗੀਤ ਅਤੇ ਪੰਜਾਬੀ ਲੋਕਾਂ ਦੀ ਅਮੀਰ ਪਰੰਪਰਾ ਦੀ ਸਦੀਵੀ ਅਪੀਲ ਦਾ ਇੱਕ ਪ੍ਰਮਾਣ ਹੈ।ਮਾਰ ਸੱਟਿਆ 

(This video is posted by channel – Saregama Punjabi on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Gori Diyan Jhanjhra by Prakash Kaur on Saregama punjabi on youtube ( ਗੋਰੀ ਦੀਆਂ ਝਾਂਜਰਾਂ )

Gori Diyan Jhanjhran | Prakash Kaur | Old Punjabi Songs | Punjabi Songs 2022

"ਗੋਰੀ ਦੀਆਂ ਝਾਂਜਰਾਂ" ਪੁਰਾਣੇ ਪੰਜਾਬੀ ਗੀਤਾਂ ਦੇ ਅਮੀਰ ਖਜ਼ਾਨੇ ਵਿੱਚੋਂ ਇੱਕ ਹੋਰ ਹੀਰਾ ਹੈ, ਅਤੇ ਇਹ ਮਸ਼ਹੂਰ ਤੌਰ 'ਤੇ ਮਹਾਨ ਪ੍ਰਕਾਸ਼ ਕੌਰ ਦੀ ਆਵਾਜ਼ ਨਾਲ ਜੁੜਿਆ ਹੋਇਆ ਹੈ।

ਪ੍ਰਕਾਸ਼ ਕੌਰ ਪੰਜਾਬੀ ਲੋਕ ਸੰਗੀਤ ਵਿੱਚ ਇੱਕ ਪ੍ਰਮੁੱਖ ਸ਼ਖਸੀਅਤ ਸਨ, ਜਿਨ੍ਹਾਂ ਨੂੰ ਅਕਸਰ ਇਸ ਸ਼ੈਲੀ ਵਿੱਚ ਮਹਿਲਾ ਗਾਇਕਾਵਾਂ ਲਈ ਨੀਂਹ ਪੱਥਰ ਰੱਖਣ ਵਾਲੀਆਂ ਪਾਇਨੀਅਰਾਂ ਵਿੱਚੋਂ ਇੱਕ ਮੰਨਿਆ ਜਾਂਦਾ ਹੈ। ਉਹਨਾਂ ਦੀ ਆਵਾਜ਼ ਵਿੱਚ ਇੱਕ ਖਾਸ ਕੱਚੀ ਤਾਕਤ ਅਤੇ ਭਾਵਨਾਤਮਕ ਡੂੰਘਾਈ ਸੀ ਜਿਸ ਨੇ ਲੋਕ ਗੀਤਾਂ ਦੀ ਉਹਨਾਂ ਦੀ ਪੇਸ਼ਕਾਰੀ ਨੂੰ ਅਭੁੱਲ ਬਣਾ ਦਿੱਤਾ।

"ਗੋਰੀ ਦੀਆਂ ਝਾਂਜਰਾਂ" (ਜਿਸਦਾ ਅਰਥ ਹੈ "ਗੋਰੀ ਮੁਟਿਆਰ ਦੀਆਂ ਝਾਂਜਰਾਂ") ਆਮ ਤੌਰ 'ਤੇ ਇੱਕ ਅਜਿਹਾ ਗੀਤ ਹੋਵੇਗਾ ਜੋ ਇੱਕ ਨੌਜਵਾਨ ਔਰਤ ਦੀ ਸੁੰਦਰਤਾ ਅਤੇ ਸੁਹਜ ਦਾ ਵਰਣਨ ਕਰਦਾ ਹੈ, ਅਕਸਰ ਉਸਦੇ ਚੱਲਣ ਵੇਲੇ ਉਸਦੀਆਂ ਝਾਂਜਰਾਂ ਦੀ ਮਨਮੋਹਕ ਆਵਾਜ਼ 'ਤੇ ਕੇਂਦ੍ਰਤ ਕਰਦਾ ਹੈ। ਪ੍ਰਕਾਸ਼ ਕੌਰ ਦੀ ਪੇਸ਼ਕਾਰੀ ਆਪਣੀ ਸ਼ਕਤੀਸ਼ਾਲੀ ਅਤੇ ਭਾਵਪੂਰਤ ਗਾਇਕੀ ਨਾਲ ਇਸ ਚਿੱਤਰ ਨੂੰ ਜੀਵੰਤ ਕਰੇਗੀ।

ਕਈ ਕਲਾਸਿਕ ਗੀਤਾਂ ਵਾਂਗ, ਭਾਵੇਂ ਇਹ ਇੱਕ "ਪੁਰਾਣਾ ਪੰਜਾਬੀ ਗੀਤ" ਹੈ, ਇਸਦੀ ਸਥਾਈ ਅਪੀਲ ਦਾ ਮਤਲਬ ਹੈ ਕਿ ਇਹ ਅਜੇ ਵੀ ਖੋਜਿਆ ਜਾਂਦਾ ਹੈ ਅਤੇ ਪ੍ਰਸ਼ੰਸਾ ਕੀਤੀ ਜਾਂਦੀ ਹੈ, ਇਸਲਈ ਇਸਦਾ "ਪੰਜਾਬੀ ਗੀਤ 2022" ਵਰਗੇ ਸ਼ਬਦਾਂ ਨਾਲ ਸਬੰਧ ਇਸਦੀ ਨਿਰੰਤਰ ਪ੍ਰਸੰਗਤਾ ਨੂੰ ਦਰਸਾਉਂਦਾ ਹੈ।

"Gori Diyan Jhanjhran" is another gem from the rich treasure trove of Old Punjabi Songs, and it's famously associated with the legendary voice of Prakash Kaur.

Prakash Kaur was a monumental figure in Punjabi folk music, often regarded as one of the pioneers who laid the foundation for female vocalists in the genre. Her voice had a distinct raw power and emotional depth that made her renditions of folk songs unforgettable.

"Gori Diyan Jhanjhran" (meaning "The Anklets of the Fair Maiden") would typically be a song that describes the beauty and charm of a young woman, often focusing on the captivating sound of her anklets as she walks. Prakash Kaur's rendition would bring this imagery to life with her powerful and evocative singing.

Like many classic songs, even though it's an "Old Punjabi Song," its enduring appeal means it's still searched for and appreciated, hence its association with terms like "Punjabi Songs 2022" to denote its continued relevance.

(This video is posted by channel – Saregama Punjabi on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

punjabi sangeet (playlist)

Ajj di diharhi - Surinder Kaur & Parkash Kaur ਅੱਜ ਦੀ ਦਿਹਾੜੀ Youtube posted by SAREGAMA Punjabi

"ਅੱਜ ਦੀ ਦਿਹਾੜੀ" ਇੱਕ ਸੱਚਮੁੱਚ ਪ੍ਰਤੀਕ ਅਤੇ ਬਹੁਤ ਪਿਆਰਾ ਪੰਜਾਬੀ ਲੋਕ ਗੀਤ ਹੈ, ਜੋ ਪੰਜਾਬੀ ਸੰਗੀਤ ਦੀਆਂ ਦੋ ਮਹਾਨ ਸ਼ਖਸੀਅਤਾਂ: ਸੁਰਿੰਦਰ ਕੌਰ ਅਤੇ ਪ੍ਰਕਾਸ਼ ਕੌਰ ਦੁਆਰਾ ਇੱਕ ਦੋਗਾਣੇ ਵਜੋਂ ਮਸ਼ਹੂਰ ਤੌਰ 'ਤੇ ਗਾਇਆ ਗਿਆ ਹੈ।

ਇਹ ਖਾਸ ਗੀਤ "ਸਿਹਰਫੀਆਂ" (ਜਾਂ ਸਿੱਠਣੀਆਂ) ਜਾਂ "ਬੋਲੀ" ਸ਼ੈਲੀ ਦੇ ਲੋਕ ਗੀਤ ਦੀ ਇੱਕ ਖਾਸ ਉਦਾਹਰਨ ਹੈ, ਜੋ ਅਕਸਰ ਵਿਆਹਾਂ ਜਾਂ ਹੋਰ ਤਿਉਹਾਰਾਂ ਦੇ ਮੌਕਿਆਂ 'ਤੇ ਪੇਸ਼ ਕੀਤਾ ਜਾਂਦਾ ਹੈ। ਇਸ ਵਿੱਚ ਆਮ ਤੌਰ 'ਤੇ ਦੋ ਮਹਿਲਾ ਗਾਇਕਾਵਾਂ, ਜਾਂ ਔਰਤਾਂ ਦੇ ਸਮੂਹਾਂ ਵਿਚਕਾਰ ਇੱਕ ਮਜ਼ਾਕੀਆ, ਛੇੜਛਾੜ ਵਾਲਾ, ਜਾਂ ਕਈ ਵਾਰ ਥੋੜ੍ਹਾ ਪ੍ਰਤੀਯੋਗੀ ਆਦਾਨ-ਪ੍ਰਦਾਨ ਸ਼ਾਮਲ ਹੁੰਦਾ ਹੈ।

"ਅੱਜ ਦੀ ਦਿਹਾੜੀ" ਦੇ ਬੋਲ ਅਕਸਰ ਰੋਜ਼ਾਨਾ ਜੀਵਨ ਦੇ ਵਿਸ਼ਿਆਂ, ਔਰਤਾਂ ਦੀਆਂ ਭਾਵਨਾਵਾਂ, ਵਿਆਹ ਦੀ ਉਮੀਦ, ਜਾਂ ਪਰਿਵਾਰਕ ਮੈਂਬਰਾਂ ਬਾਰੇ ਮਜ਼ਾਕੀਆ ਟਿੱਪਣੀਆਂ ਦੇ ਆਲੇ-ਦੁਆਲੇ ਘੁੰਮਦੇ ਹਨ। ਸੁਰਿੰਦਰ ਕੌਰ ਅਤੇ ਪ੍ਰਕਾਸ਼ ਕੌਰ ਦੀ ਪੇਸ਼ਕਾਰੀ ਦੀ ਖੂਬਸੂਰਤੀ ਉਹਨਾਂ ਦੀਆਂ ਪੂਰੀ ਤਰ੍ਹਾਂ ਸਮਕਾਲੀ ਆਵਾਜ਼ਾਂ, ਬੋਲਾਂ ਦੇ ਸੂਖਮ ਭੇਦਾਂ ਨੂੰ ਪ੍ਰਗਟ ਕਰਨ ਦੀ ਉਹਨਾਂ ਦੀ ਯੋਗਤਾ, ਅਤੇ ਉਹਨਾਂ ਦੁਆਰਾ ਪੰਜਾਬੀ ਲੋਕ ਸੰਗੀਤ ਵਿੱਚ ਲਿਆਂਦੀ ਗਈ ਸ਼ੁੱਧ ਖੁਸ਼ੀ ਅਤੇ ਜੀਵੰਤਤਾ ਵਿੱਚ ਨਿਹਤ ਹੈ।

ਅਜਿਹੇ ਗੀਤਾਂ 'ਤੇ ਉਹਨਾਂ ਦੇ ਸਹਿਯੋਗ ਨੇ ਅਜਿਹੇ ਸਦੀਵੀ ਟੁਕੜੇ ਬਣਾਏ ਜੋ ਪੀੜ੍ਹੀਆਂ ਤੋਂ ਮਨਾਏ ਅਤੇ ਆਨੰਦ ਮਾਣੇ ਜਾਂਦੇ ਹਨ, ਜੋ ਸੱਚਮੁੱਚ ਰਵਾਇਤੀ ਪੰਜਾਬੀ ਸੱਭਿਆਚਾਰ ਦੀ ਭਾਵਨਾ ਨੂੰ ਦਰਸਾਉਂਦੇ ਹਨ।

"Ajj Di Dihari" is a truly iconic and deeply cherished Punjabi folk song, famously sung as a duet by the two titans of Punjabi music: Surinder Kaur and Prakash Kaur.

This particular song is a quintessential example of a "siharfian" (or sithnian) or "boli" style folk song, often performed at weddings or other festive occasions. It typically involves a playful, teasing, or sometimes slightly competitive exchange between two female singers, or groups of women.

The lyrics of "Ajj Di Dihari" often revolve around themes of everyday life, women's feelings, the anticipation of a wedding, or humorous observations about family members. The beauty of Surinder Kaur and Prakash Kaur's rendition lies in their perfectly synchronized voices, their ability to convey the subtle nuances of the lyrics, and the sheer joy and vibrancy they brought to Punjabi folk music.

Their collaboration on such songs created timeless pieces that continue to be celebrated and enjoyed across generations, truly embodying the spirit of traditional Punjabi culture.

(This video is posted by channel –Saregama Punjabi on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Surinder Kaur and Parkash Kaur Ni Mainu Deor De Viah Wich Nach Lain De N...

"Ni Mainu Deor De Viah Wich Nach Lain De" (or often titled "Mainu Deor De Vyah Wich Nach Len De"), performed by the legendary duo, the sisters Surinder Kaur and Parkash Kaur.

Here is a description of the song:

Song Overview

• Artists: Surinder Kaur and Parkash Kaur (often referred to as the "Nightingales of Punjab").

• Language: Punjabi.

• Genre: Punjabi Folk / Wedding Song (Viyah Da Geet).

• Theme: Celebration, excitement, and a plea to dance at a family wedding.

Description of the Song

1. The Vibe and Energy (The Dance Request):

   • The title translates to "Oh, just let me dance at my brother-in-law's wedding!" (Deor means husband's younger brother, and Viah is wedding).

   • The song is a quintessential, joyous Punjabi wedding dance number. It perfectly captures the excitement and enthusiasm of a young woman who is desperate to join the Gidha (traditional Punjabi folk dance) at her Deor's wedding, urging her companions or family to let her go and participate.

   • It is a high-energy, celebratory track with an unmistakable festive rhythm that is made for group dancing.

2. The Music and Style (Traditional Folk):

   • The music is deeply rooted in traditional Punjabi folk music. It features rustic and traditional instruments, creating an authentic, rustic sound.

   • The arrangement is simple, focusing on the powerful and playful vocals and the infectious beat, often backed by the dhol (drum) and other folk percussion.

3. The Vocal Performance (The Legends):

   • The rendition by Surinder Kaur and Parkash Kaur is considered the definitive version. Their voices are a perfect match—warm, robust, and full of the raw emotion and charm characteristic of classic Punjabi folk.

   • The performance is a duet, featuring call-and-response and harmonic elements, which is typical of wedding folk songs and Boliyan (short verses).

Cultural Significance

• A Staple for Celebrations: Along with songs like "Kala Doria" and "Lathe Di Chadar," this track is a fundamental part of the classic Punjabi wedding soundtrack and remains a beloved folk song decades after its release.

• Timelessness: Despite being an old recording (often cited as being released around 1970/2003 on various compilations), the song continues to be played at weddings and cultural events, making it an evergreen classic of Punjabi music.

(This video is posted by channel – Saregama Punjabi on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Mera Loung Gawacha bally sagoo

The song "Mera Laung Gawacha" by Bally Sagoo is one of the most iconic and groundbreaking tracks in the history of British-Asian and Punjabi dance music. It's a classic example of fusing traditional folk with modern electronic sounds.

Here is a detailed description of the song:

Song Overview

• Original Release: 1991 (from the album Star Crazy)

• Music/Producer: Bally Sagoo (who is credited with the composition and arrangement of the modern version)

• Vocals: Rama (female vocalist)

• Additional Vocals: Cheshire Cat (Ragga/Reggae rap)

• Genre: Bhangra, Hip Hop, Ragga/Reggae, Downtempo, Fusion (often categorized as early Desi/Asian Underground).

Description of the Song

1. Fusion Pioneer: This track is a landmark song that helped popularize the Asian Underground sound. Bally Sagoo took an old, established Punjabi folk tune and completely revolutionized it with Western club music influences, making it globally appealing.

2. The Musical Arrangement:

   • The Beat: The song is driven by a slow, infectious hip-hop/downtempo beat (often incorporating a reggae or ragga rhythm). This was a radical departure from the fast, traditional dhol-driven Bhangra of the time.

   • The Blend: It cleverly layers a traditional, almost mournful, Punjabi folk melody over a heavy, synthesized, and bass-driven beat. This contrast is what gives the song its unique, hypnotic quality.

   • The Rap: A crucial element is the inclusion of the English-language Ragga/Hip Hop rap by Cheshire Cat, which seamlessly blends with the Punjabi vocals, symbolizing the bridge between British-Asian and Western cultures.

3. The Lyrics and Theme:

   • The song is based on a traditional Punjabi Tappa (short folk verse).

   • Meaning of the Chorus: The title, "Mera Laung Gawacha," means "I have lost my nose pin (laung)."

   • Core Lyric: The female narrator sings the line, "Piche piche aunda, meri chaal vehnda aayin," which means, "You follow me, tracing my steps/gait."

   • The Story: The woman tells her admirer that she has lost her nose pin (a valuable and symbolic piece of jewelry) while he was following her. She is essentially teasing him, asking him to retrace her steps to find the lost laung (and playfully suggesting he is the cause of her distraction).

4. Cultural Impact:

   • Massive Crossover Hit: The song became a massive hit in the UK and worldwide, introducing a new generation to Punjabi music.

   • Iconic Video: The accompanying music video, featuring actors Deepti Bhatnagar and Jas Arora, was extremely popular, cementing the song's status as a quintessential 90s classic.

   • A Wedding Staple: Despite its downtempo nature, it became an essential track at South Asian weddings and parties, beloved for its nostalgia and unmistakable rhythm.

(This video is posted by channel – Universal Music India on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Raavi by Himani Kapoor Bazm e Khas

The Core Meaning of "Raavi"

The song is a poetic meditation on the themes of separation, unfulfilled life, and the deep connection to the Punjabi homeland, symbolized by the River Raavi (Ravi).

The Raavi is one of the five major rivers of Punjab and holds immense historical and cultural significance, especially as it now flows between India and Pakistan.

Key Lines and Their Interpretation:

• "Je Raavi vich paani koi nai, te apni kahani koi nai."

  • Translation: "If there is no water in the River Raavi, then there is no story (or existence) of my own."

  • Interpretation: This is a powerful metaphor. The singer suggests that the soul and identity of the Punjabi people (and specifically their own life story) are inextricably linked to the vitality of the river. A life without purpose or love is like a dry river—meaningless and incomplete.

• "Je sang beliya koi nai, te kise nu sunani koi nai."

  • Translation: "If there is no beloved companion, then there is no one to tell (my story) to."

  • Interpretation: This highlights the solitude and deep personal connection needed to make life meaningful. The suffering or story of the heart is only worth having and telling if there is a loved one to share it with.

• "Je aithon kadi Raavi langh jaave, hayati Punjabi ban jaave."

  • Translation: "If the Raavi ever flows through here, my life would become (truly) Punjabi."

  • Interpretation: This is the song's emotional climax. The singer yearns for the river (symbolizing connection, wholeness, or their lost love/homeland) to flow through their current existence. Its return would transform their fractured, distant life into a complete, authentic, and joyful Punjabi identity.

(This video is posted by channel – Bazm_E_Khas on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Sanu bukk nal paani hi pilade ghutt ni ni tera juttha kahnu kariye glaas goriye

Sanu bukk naal pani hi pilade ghutt ni , ni tera juttha kaahnu kariye glass goriye, bade joraan naal laggi e pyaas goriye. 

This beautiful punjabi film song sung by legendary Singer Mohammad Rafi , this  song posted on youtube by SAGMA music digital 

Here's a breakdown of the lines:

• "Sanu bukk naal pani hi pilade ghutt ni": "Just give us a sip of water with your cupped hands (bukk)!" This implies intimacy and a simple, unadorned way of sharing.

• "Ni tera juttha kaahnu kariye glass goriye": "Why should we make your glass 'juttha' (ritually impure/used) by drinking from it, fair maiden?" This is a witty line, implying that if he drinks from her glass, it would become 'used' by him, but drinking from her hands is somehow more pure or directly from her. It could also be a subtle way of saying he prefers her direct touch.

• "Bade joraan naal laggi e pyaas goriye": "We are very, very thirsty, fair maiden!" This emphasizes the urgency and the reason for his playful request.

Essentially, he's expressing a strong thirst and, in a flirtatious manner, asking her to offer water directly from her cupped hands, perhaps implying a desire for a more personal connection than just drinking from a shared glass. It's a charming example of the double entendres and playful banter common in Punjabi folk songs.

(This video is posted by channel – SAGMA Music Digital on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Ve Le De Mainu Makhmal Dee Parkash Kaur A Punjabi Song..( ਵੇ ਲੈਦੇ ਮੈਨੂੰ ਮਖਮਲ ਦੀ ਪੱਖੀ ਘੁਘਰੂਆਂ ਵਾਲੀ )

Parkash Kaur | Ve Laide Mainu Makhmal Di | Audio | Old Punjabi Tunes

ਪੂਰੀ ਸਤਰ, "ਵੇ ਲੈਦੇ ਮੈਨੂੰ ਮਖਮਲ ਦੀ ਪੱਖੀ ਘੁਘਰੂਆਂ ਵਾਲੀ" ਜੋ ਪ੍ਰਕਾਸ਼ ਕੌਰ ਦੁਆਰਾ ਗਾਈ ਗਈ ਹੈ, ਦਾ ਮਤਲਬ ਹੈ:

• "ਵੇ ਲੈਦੇ ਮੈਨੂੰ": "ਓਏ, ਮੈਨੂੰ ਖਰੀਦ ਦੇ..." (ਇੱਕ ਔਰਤ ਦੁਆਰਾ ਇੱਕ ਆਦਮੀ ਨੂੰ ਪਿਆਰ ਅਤੇ ਬੇਨਤੀ ਦਾ ਸ਼ਬਦ)

• "ਮਖਮਲ ਦੀ ਪੱਖੀ": "ਇੱਕ ਮਖਮਲ ਦਾ ਪੱਖਾ" (ਪੱਖੀ ਇੱਕ ਹੱਥ ਦਾ ਪੱਖਾ ਹੁੰਦਾ ਹੈ)

• "ਘੁਘਰੂਆਂ ਵਾਲੀ": "ਘੁੰਗਰੂਆਂ ਵਾਲੀ"

ਇਸ ਲਈ, ਔਰਤ ਖਾਸ ਤੌਰ 'ਤੇ ਆਪਣੇ ਪਿਆਰੇ ਨੂੰ ਘੁੰਗਰੂਆਂ ਨਾਲ ਸਜਿਆ ਹੋਇਆ ਇੱਕ ਮਖਮਲ ਦਾ ਹੱਥ ਦਾ ਪੱਖਾ ਖਰੀਦਣ ਲਈ ਕਹਿ ਰਹੀ ਹੈ। ਇਹ ਉਸਦੀ ਬੇਨਤੀ ਵਿੱਚ ਵਿਸਤਾਰ ਦੀ ਇੱਕ ਹੋਰ ਪਰਤ ਅਤੇ ਨਾਜ਼ੁਕ ਸੁੰਦਰਤਾ ਅਤੇ ਆਵਾਜ਼ ਦੀ ਭਾਵਨਾ ਜੋੜਦਾ ਹੈ।

ਪ੍ਰਕਾਸ਼ ਕੌਰ ਦੀ ਇਸ ਗੀਤ ਦੀ ਪੇਸ਼ਕਾਰੀ ਮਜ਼ਾਕੀਆ ਮੰਗ, ਅਜਿਹੀ ਸ਼ਾਨਦਾਰ ਚੀਜ਼ ਲਈ ਤਰਸ, ਅਤੇ ਪੱਖੇ 'ਤੇ ਘੁੰਗਰੂਆਂ ਦੀ ਕਲਪਿਤ ਝਣਕਾਰ ਨੂੰ ਖੂਬਸੂਰਤੀ ਨਾਲ ਦਰਸਾਏਗੀ। ਇਹ ਸਿਰਫ ਇੱਕ ਭੌਤਿਕ ਵਸਤੂ ਦੀ ਇੱਛਾ ਨੂੰ ਹੀ ਨਹੀਂ, ਬਲਕਿ ਸ਼ਾਇਦ ਪਿਆਰੇ ਦੁਆਰਾ ਉਸਦੀ ਇੱਛਾ ਪੂਰੀ ਕਰਨ ਵਿੱਚ ਸ਼ਾਮਲ ਧਿਆਨ ਅਤੇ ਪਿਆਰ ਨੂੰ ਵੀ ਉਜਾਗਰ ਕਰਦਾ ਹੈ। ਇਹ ਇੱਕ ਮਨਮੋਹਕ ਅਤੇ ਬਹੁਤ ਹੀ ਖਾਸ ਪੰਜਾਬੀ ਲੋਕ ਗੀਤ ਹੈ, ਜੋ ਪ੍ਰਕਾਸ਼ ਕੌਰ ਦੀ ਸ਼ਕਤੀਸ਼ਾਲੀ ਅਤੇ ਭਾਵਪੂਰਤ ਆਵਾਜ਼ ਲਈ ਪੂਰੀ ਤਰ੍ਹਾਂ ਢੁਕਵਾਂ ਹੈ।

• "Ve Laide Mainu": "Oh, buy me..." (a term of endearment and request from a woman to a man)

• "Makhmal Di Pakkhi": "A velvet fan" (Pakkhi is a hand fan)

• "Ghuguruaan Wali": "With bells/ghungroos"

So, the woman is specifically asking her beloved to buy her a velvet hand fan adorned with little bells (ghungroos). This adds another layer of detail and a sense of delicate beauty and sound to her request.

Prakash Kaur's rendition of this song would beautifully capture the playful demand, the yearning for such an elegant item, and the imagined tinkling sound of the bells on the fan. It highlights not just the desire for a material possession but also perhaps the attention and affection implied in the beloved fulfilling her wish. It's a delightful and very characteristic Punjabi folk song, perfectly suited to Prakash Kaur's powerful and expressive voice.

(This video is posted by channel – {add channel name} on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Chan Ve Ke Shokan Mele Di, Surinder Kaur And Narinder Kaur.(video posted by Amrik Singh on youtube)

This beautiful Punjabi folk song was posted on YouTube by Mr.  Amrik Singh and singers are Prakash kaur and Narinder kaur in this song. 

Meaning of the Song in Detail

The song's title, "Chan Ve Ke Shokan Mele Di," translates to:

"O Moon (Beloved), I am the devotee/admirer of the fair."

It is a playful exchange between a young woman (the Shokan, or enthusiast) and her beloved, using the imagery of the lively Punjabi fair.

Thematic Breakdown:

1. The Woman's Enthusiasm (Shaukan Mele Di):

   • The female singer expresses her great desire and enthusiasm to visit the village fair. Fairs in Punjab are major cultural and social events, a place for young people to meet, flirt, and buy traditional items.

   • She describes her preparations: dressing up beautifully, wearing new clothes, and being eager to join the festivities. Her eagerness is a declaration of her youth and vitality.

2. The Plea to the Beloved (Chan Ve):

   • She addresses her lover as ChanVe (O Moon/Beloved), asking him to accompany her, or at least acknowledge her dazzling presence.

   • The song often contains a playful challenge or request: she might ask him to buy her specific traditional items from the fair (like a colorful shawl, or bangles), using these demands to prove his love and commitment.

3. The Poetic Imagery (Traditional Folk Elements):

   • The lyrics are filled with traditional Punjabi imagery like Chunni (shawl/scarf), Paranda (hair accessory), Mele (fairs), and other items that signify Punjabi culture and feminine beauty.

   • It is often sung in a call-and-response format, where one singer (the woman) throws out a line about her beauty or her intention to go to the fair, and the other singer (the man or another woman) responds with a compliment or a teasing comment.

4. Flirtation and Social Interaction:

   • At its heart, the song is a dialogue of flirtation. The woman is showing off her beauty and independence by saying she is going to the fair, knowing it will attract attention. The man's reaction (often implied or sung in the duet) is one of pride, admiration, and a slightly possessive desire to be the only one she seeks at the bustling event.

In summary, "Chan Ve Ke Shokan Mele Di" is a delightful and energetic folk song that celebrates the joy, color, and youthful romance found in the traditional Punjabi village fair, with the woman's vibrant personality being the central focus.

(This video is posted by channel – Amrik Singh on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)