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Thursday, August 30, 2012
Tuesday, August 28, 2012
Chalo phir dhoond laayein hum......चलो फिर ढूँढ लायें हम
चलो फिर ढूँढ लायें हम
usi masoom bachpan ko
उसी मासूम बचपन को
unhin masoom khushiyon ko
उन्हीं मासूम खुशियों को
unhin rangeen lamhon ko
उन्हीं रंगीं लम्हों को
jahaan ghum ka pata na tha
जहां ग़म का पता न था
jahaan dukh ki samajh na thi
जहां दुःख की समझ न थी
jahaan bus muskurahat thi
जहां बस मुस्कराहट थी
bahaarein hi bahaarein thi
बहारें ही बहारें थीं
chalo phir dhoond laayein hum
चलो फिर ढूँढ लायें हम
usi masoom bachpan ko
उसी मासूम बचपन को
Ke jab sawan barasta tha
के जब सावन बरसता था
aur us kaghaz ki kashti ko
और उस काग़ज़ की कश्ती को
banaana aur dubo dena
बनाना और डुबो देना
bahut acha sa lagta tha
बहुत अच्छा सा लगता था
aur is duniya ka har chehra
और इस दुनिया का हर चेहरा
Bahut sacha sa lagta tha
बहुत सच्चा सा लगता था
chalo phir dhoond laayein hum ....
चलो फिर ढूँढ लायें हम
Zindagi - ek kavita
kuch aur hi lekin mila.
yu hi laut-te huye
aaj raaste mein main zindagi se mila.
kuch shokh si, chalak si
batooni si, bebak si
masoom si, nadaan si,
har dil ki jaise jaan si,
bholi si wo, natkhat si kuch,
sachchi si wo, nish-kapat si kuch,
nish-paap si, chanchal si wo,
zinda si ab lagti nahi.
ab wo waisi thi nahi!!
badali si kuch lagti thi ab,
apni si kahaan dikhti thi ab?
kuch khoyi khoyi, gumsum si thi.
khamosh, wo chup chup si thi
jahaan bhar se anjaan bhi,
jahaan bhar se pareshan bhi,
sabse milkar bhi akeli si,
khud hi mein uljhi paheli si,
thaki si kuch, ruki si kuch,
ek bojh se jhuki si kuch.
jahaan bhar se muh modey huye,
aas jivan tak ki thi chore huye.
ke ek shor si wo chulbuli,
shamshan si aaj mook thi.
pareshaan hoon
hairaan hoon
meri zindagi kahaan kho gayi....
Yaadein...यादें
जिस लिफ़ाफ़े पे 'यादें' लिखा था
wo kahin rakhkar bhool gaya hoon.
वो कहीं रखकर भूल गया हूँ
aaj phir wohi lifafa dhoond raha tha..
आज फिर वही लिफाफा ढूँढ रहा था
kuch aur band lifafe mile..
कुछ और बंद लिफाफे मिले
ek pe masoomiyat ki mohar lagi thi
एक पे मासूमियत की मोहर लगी थी
ek par khushi ka pata likha tha..
एक पर ख़ुशी का पता लिखा था
khali lifafe the kuch, ek mere bhi naam likha tha..
खाली लिफाफे थे कुछ ,एक मेरे भी नाम लिखा था
khola to kuch nishan us par nazar aaye..
Monday, August 27, 2012
Pankh hote to udd aati re-Instrumental on flute by Salamat Hussain
Video Details
Title: Pankh hote to udd aati re- Instrumental on flute by Salamat Hussain
Artist: Salamat Hussain (Flautist)
Channel: Indian Flute World
Published Date: June 27, 2010
Length: 5 minutes and 4 seconds
About the Original Song
The song "Pankh Hote To Ud Aati Re" is a timeless classic from the 1963 Hindi film Sehra.
Vocalist: Lata Mangeshkar
Music Director: Ramlal
Lyricist: Hasrat Jaipuri
The video features Salamat Hussain's rendition of this famous melody on the flute, providing a beautiful instrumental version of the emotional and nostalgic song.
(This video is posted by channel – Indian Flute World on YouTube, and Raree India has no direct claims to this video. This video is
added to this post for knowledge purposes only.)
Sunday, August 26, 2012
Awesome Polish Paintings by Malgorzata Neigel
Małgorzata Niegel (sometimes spelled Malgorzata Neigel) is a contemporary Polish painter.
Here are some key details about her:
Style and Subjects: Her art is often figurative oil painting and is characterized by a high degree of attention to detail. She frequently incorporates Christian, biblical, symbolic, and spiritual themes in her works, drawing inspiration from ancient history, psychology, and the Orient. Some of her works also feature dandelions, which she uses as a symbol of freedom and the human spirit.
Technique: While she studied various techniques in school, she considers herself self-taught in oil painting, perfecting her technique over the years. She sometimes combines traditional paint with gold in the form of metal flakes or pasts.
Education: She graduated from the art high school at Carolinum in Nysa, Poland.
Recognition: She is a professional artist who has participated in various exhibitions and competitions, including the "Who Art You" exhibition in Milan.
Her artistic approach is very intentional; she views each painting as a "story, a puzzle, a rebus" where every detail and its placement is carefully considered and analyzed.
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