Friday, April 06, 2012

Shagird - Woh Hain Zara Khafa Khafa - Mohd.Rafi & Lata Mangeshkar






That is a classic romantic duet that perfectly captures the playful mood of a lover's tiff!

Song Details

DetailInformation
SongWoh Hain Zara Khafa Khafa (वो हैं ज़रा ख़फ़ा ख़फ़ा)
MovieShagird (1967)
StarringJoy Mukherjee and Saira Banu
SingersLata Mangeshkar and Mohammed Rafi
Music DirectorLaxmikant-Pyarelal
LyricistMajrooh Sultanpuri
RagaManj Khamaj (often cited)

This song is celebrated for its flirtatious lyrics and the beautiful interplay between the two legendary voices.


 (This video is posted by channel –Hashim Khan on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

 

Do ghadi woh




"दो घड़ी वो पास जो बैठे" (Do Ghadi Woh Paas Jo Baithe) भारतीय फिल्म संगीत के स्वर्ण युग (Golden Era) का एक अनमोल हीरा है। फिल्म 'गेटवे ऑफ इंडिया' (1957) का यह गाना आज भी पुराने गानों के शौकीनों की पहली पसंद है।

यहाँ इस क्लासिक गीत की पूरी जानकारी दी गई है:

गीत का विवरण

  • गायक: मोहम्मद रफ़ी और लता मंगेशकर

  • संगीतकार: मदन मोहन (Madan Mohan)

  • गीतकार: राजिंदर कृष्ण

  • फिल्म: गेटवे ऑफ इंडिया (1957)

  • कलाकार: भारत भूषण और मधुबाला


इस गीत की खास बातें

  1. मदन मोहन का संगीत: मदन मोहन साहब को "गज़लों का राजा" कहा जाता था। इस गाने में उन्होंने जो कोमलता और धुन पिरोई है, वह सीधे रूह में उतर जाती है।

  2. मधुबाला की खूबसूरती: इस गाने में मधुबाला की सादगी और भारत भूषण के साथ उनकी केमिस्ट्री देखने लायक है। पुराने ब्लैक एंड व्हाइट सिनेमा का यह जादू आज भी बरकरार है।

  3. रफ़ी और लता की जुगलबंदी: इन दोनों महान गायकों ने जिस नज़ाकत से इस गाने को निभाया है, वह बेमिसाल है। गाने के अंत में रफ़ी साहब का अलाप और लता जी की सुरीली आवाज़ इसे एक मुकम्मल अनुभव बनाती है।

गीत के बोल (मुख्य अंश)

"दो घड़ी वो पास जो बैठे, तो हम कुछ कह सके पर वो कमबख्त घड़ी, ऐसी चली के क्या कहें..."


गीत का भाव

यह गाना उस अधूरेपन और बेताबी को दिखाता है जब प्रेमी को अपने साथी के साथ कुछ पल बिताने का मौका तो मिलता है, लेकिन समय इतनी जल्दी बीत जाता है कि दिल की बातें दिल में ही रह जाती हैं।

Rukh Se Zara Naqaab



"Rukh Se Zara Naqaab Utha Do Mere Huzoor" film 'Mere Huzoor' (1968) ka ek bahut hi khoobsurat aur haseen geet hai. Is gaane ne urdu shayari aur filmi sangeet ke mel ko ek nayi oonchai di thi.

Is gaane ki puri jankari niche di gayi hai:

Gaane ka Details:

  • Gayak (Singer): Mohammad Rafi

  • Sangeetkar (Music Director): Shankar-Jaikishan

  • Geetkar (Lyrics): Hasrat Jaipuri

  • Film: Mere Huzoor (1968)

  • Artist: Jeetendra aur Mala Sinha


Is Gaane ki Khasiyat:

  1. Mohammad Rafi ki Gayaki: Rafi sahab ne is gaane ko jis nazakat aur tehzeeb ke saath gaya hai, wo kaabil-e-tareef hai. Unki awaaz is gaane ki ruhanu khasiyat ko aur badhati hai.

  2. Hasrat Jaipuri ki Shayari: Is gaane ke bol kisi ki khoobsurti ki tareef mein likhe gaye behtareen alfazon ka sangam hain.

  3. Jeetendra ka Andaaz: Is film mein Jeetendra ne ek bahut hi shaant aur romantic kirdar nibhaya tha, jo unke 'Jumping Jack' image se kaafi alag tha.

Gaane ke Bol (Main Lines):

"Rukh se zara naqaab utha do mere huzoor Jalwa phir ek baar dikha do mere huzoor..."

Rafi - Chalke Teri Aankhon Se - Arzoo [1965]




That is a classic gem from the Golden Age of Hindi cinema! It is known for its beautiful ghazal-like composition and unforgettable screen presentation.

Here is a description and the key details of the song "Chalke Teri Aankhon Se":

Chalke Teri Aankhon Se Sharab Aur Zyada

DetailInformation
SongChalke Teri Aankhon Se Sharab Aur Zyada
MovieArzoo (1965)
SingerMohammed Rafi
Music DirectorShankar-Jaikishan
LyricistHasrat Jaipuri
StarringRajendra Kumar and Sadhana
ThemeA romantic serenade praising the intoxicating beauty of the beloved's eyes, comparing their tears (or moisture) to sharab (wine).

Scene Description and Context

The song is picturised on Rajendra Kumar, who, in a famous twist, disguises himself as an old man to be close to Sadhana's character without arousing suspicion. He then sings this soulful, yet playful, ghazal to her, expressing his admiration for her captivating beauty.

The lyrics are deeply poetic, particularly the lines:

Chhalke teri aankhon se sharab aur zyada, Khilte rahe honthon ke gulaab aur zyada.

(Let the wine overflow from your eyes even more, And let the roses of your lips bloom even more.)

It is one of Mohammed Rafi's iconic romantic solos from the mid-60s. 



(This video is posted by channel – Goldmines Gaane Sune Ansune on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

 


Nainoon Wali Nay Hai Mera Dil Luta - Lata Mangeshkar in Film Mera Saya





नैनों वाली ने हाय मेरा दिल लूटा (Nainon Wali Ne Hai Mera Dil Luta)

विवरण (Detail)जानकारी (Information)
गीत (Song)नैनों वाली ने हाय मेरा दिल लूटा (Nainonwali Ne Hay Mera Dil Loota)
फ़िल्म (Movie)मेरा साया (Mera Saaya) (1966)
गायिका (Singer)लता मंगेशकर (Lata Mangeshkar)
संगीत निर्देशक (Music Director)मदन मोहन (Madan Mohan)
गीतकार (Lyricist)राजा मेहदी अली खान (Raja Mehdi Ali Khan)
कलाकार (Starring)साधना (Sadhana) और सुनील दत्त (Sunil Dutt)
थीम (Theme)यह गाना प्रेमिका की नैनों (आँखों) की मादक और भोली सुंदरता की प्रशंसा करता है, जिसने गायक का दिल लूट लिया है।

 (This video is posted by channel – VRB~tracks on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

 


KISMAT - Aao Huzoor Tumko


"Aao Huzoor Tumko" (आओ हुज़ूर तुमको) film 'Kismat' (1968) ka ek bahut hi nasha bhara aur mashhoor club song hai. Is gaane ne Asha Bhosle ki gayaki ko ek naya muqaam diya tha.

Is gaane ki khaas baatein:

Gaane ka Details:

  • Gayika (Singer): Asha Bhosle

  • Sangeetkar (Music Director): O. P. Nayyar

  • Geetkar (Lyrics): S. H. Bihari

  • Film: Kismat (1968)

  • Artist: Babita aur Biswajeet


Is Gaane ki Khasiyat:

  1. Asha Bhosle ka Andaaz: Asha ji ne is gaane ko jis 'hiccup' style aur nashili awaaz mein gaya hai, wo us daur mein bahut bada prayog tha. Is gaane ne saabit kar diya ki Asha ji kitni versatile singer hain.

  2. O. P. Nayyar ka Sangeet: O. P. Nayyar sahab apni 'Rhythm' ke liye jaane jaate the. Is gaane ki dhun aur beats aaj bhi logon ko jhoomne par majboor kar deti hain.

  3. Babita ki Acting: Is gaane mein Babita (Karisma aur Kareena Kapoor ki maa) ne bahut hi glamrous aur bindaas acting ki hai, jo us samay kaafi charcha mein rahi thi.

Gaane ke Bol (Main Lines):

"Aao huzoor tumko, sitaron mein le chalun Dil jhoom jaye aisi, baharon mein le chalun..."

 

(This video is posted by channel – Romantic Hits on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)


Sunghursh (1968) Mere Pairon mein Ghunghroo bandhadeh!




"Mere Pairon Mein Ghunghroo" from the 1968 film Sunghursh is a classic showcase of Mohammed Rafi's incredible vocal range and energy.

What makes this track particularly unique is that it features Dilip Kumar—the "Tragedy King"—in a rare, boisterous, and flamboyant avatar. In the movie, he plays Kundan, who is disguised as a wandering "Bajrangi" when he performs this song.

Song Credits

  • Singer: Mohammed Rafi

  • Music Director: Naushad

  • Lyricist: Shakeel Badayuni

  • On Screen: Dilip Kumar and Padma Khanna


Key Lyrics

The song captures the joy of someone who has had a little bit of bhang and is ready to dance the night away:

"Dil paaya albela maine tabiyat meri rangeeli" "Aaj khushi mein maine bhaiya thodi si bhang pi lee" "Haay mere pairon mein... ghunghroo bandha de to phir meri chaal dekh le!"

The lyrics roughly translate to: "I have a carefree heart and a colorful nature. Today, in my happiness, I've had a little bit of bhang... just tie the bells on my feet and then watch my moves!"


About the Movie Sunghursh

If you're planning to watch or re-watch it, here are a few interesting facts:

  • The Story: Based on a Bengali short story by Mahasweta Devi, it's a period drama set in 19th-century Banaras, revolving around family feuds and the Thuggee cult.

  • Legendary Cast: It stars Dilip Kumar alongside Vyjayanthimala (their last film together), Balraj Sahni, and a young Sanjeev Kumar.

  • The Writing: The dialogues were penned by the legendary Gulzar and Abrar Alvi.

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