Ik Meri Akh Kashni-Surinder Kaur

This Song is posted on You Tube by SAREGAMA PUNJABI . The song's lyrics describe a woman's inner turmoil and her grievances, painting a vivid picture of her life and the people around her. Here's a breakdown of what the song is about:

• "Ik meri akh kashni, duja raat de uneedrey ne maareya": This opening line translates to "One is my hazel eye, the second is the blow of sleepless nights." The singer is stating that her sleepless nights are affecting her, possibly making her eyes appear a certain way, or contributing to her overall distress.

• The Husband/In-laws: A significant portion of the song is dedicated to the woman's complaints about her in-laws, particularly her mother-in-law ("sass") and sister-in-law ("nandh"). She describes her mother-in-law as cruel and dark-complexioned, constantly taunting her and disparaging her parents. She feels wronged by her mother-in-law, who she feels has spoiled her life or her family's garden.

• The Brother-in-law: She also mentions her younger brother-in-law ("deor") who is attracted to fair women and tries to get close to her. This suggests a discomfort and potential harassment she faces from him.

• The Husband: Interestingly, while she complains about her in-laws and brother-in-law, her description of her husband is more nuanced. She refers to him as her beloved ("kant") and notes his attractive features, like his eyes having a "vermilion line." However, she also mentions that his mother has spoiled him or influenced him negatively ("layi lagg nu hai maa ne vigaadeya"), suggesting that he might not fully support her against his family.

• The Broken Mirror: The line "Sheeshe nu trerr pai gai, Vaal waundi ne dheyan jdo mareya" (The mirror broke, I saw it while combing my hair) is a common motif in Punjabi folklore, often considered an ill omen. This foreshadows or symbolizes the troubles and discord in her life.

In essence, the song is a poignant portrayal of a woman's suffering and her grievances within her marital home, stemming from a difficult relationship with her in-laws and the societal pressures she faces. It's a powerful expression of a woman's lament, delivered with Surinder Kaur's soulful voice.

(This video is posted by channel – Saregama Punjabi on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Inna Akhian ich pawan kiwain kajla ve

"Inna Akhian Ich Pawan Kiwain Kajla Ve" (or "Ehna Akhiyan Ch Pavan Kive Kajla Ve") is a beautiful and poignant Punjabi song, famously sung by Surinder Kaur. It's also associated with the poet Shiv Kumar Batalvi and sometimes performed by other artists like Asa Singh Mastana. The music is often credited to K. Pannalal.

The song translates to: "How can I put kohl in these eyes, when you reside in my eyes?"

Here's a deeper look into the meaning and themes of the song:

• Overwhelming Love and Presence: The central theme is that the singer's beloved is so deeply ingrained in her thoughts and presence that she can't even perform the simple act of applying kohl to her eyes. The kohl (kajla) is symbolic of beautifying oneself, perhaps for the beloved. However, since he is always in her eyes (metaphorically), she feels no need or perhaps is unable to do so. His presence is so overwhelming that it occupies her entire being.

• Constant Remembrance: The lyrics express how her beloved is constantly on her mind, and her face is always turned towards him ("Har vele channa mera tere wall munh ve"). His name is on her lips ("BulliaN ch naaN tera").

• Joy and Hallucination: When she laughs, she feels a hallucination or an illusion of him being there, smiling with her ("JadoN hassdi bhuleka menoN painda ve. HasiaN ch tooN hassda"). This shows how his memory and presence are intertwined with her happiness.

• Journey and Union: The song speaks of a journey, where long distances were covered, and he came closer ("LammiN si wataN channa, neede neede aaya tooN"). He entered her heart through her eyes, symbolizing a deep, soulful connection ("Akhian de raheeN aa ke, dil ch samaya tooN").

• Love and Commitment: She describes how her life has been colored by love, hard-won and precious ("MassaN massaN jindadi main pyar vich rangi ve"). She feels a sense of destiny and belonging, as if she is engaged or meant to be with him ("Ajj menoN japda main tere naal mangi ve").

• Dawn of Happiness: The song concludes with a sense of newfound happiness and the departure of sorrow ("Ajj khushiN da ho gaya savera ve. Ghum saathoN door nassda"), signifying that their union has brought her peace and joy.

In essence, "Inna Akhian Ich Pawan Kiwain Kajla Ve" is a beautiful expression of deep, all-consuming love where the beloved's presence is so profound that it becomes inseparable from the singer's own identity and perception of the world.

Chan Kithe Guzari Ayee Rat - Surinder Kaur

"Chan Kithe Guzari Ayee Rat" is a very famous and poignant Punjabi folk song, beautifully sung by the legendary Surinder Kaur.

The song is a lament, expressing the deep longing and sorrow of a woman who spent the night alone, separated from her beloved. The title itself translates to "Where did the moon spend the night?" or "Where did you pass the night, moon?" This question is metaphorically directed at the moon, which is often seen as a silent witness to lovers' meetings and partings.

The lyrics explore themes of:

• Separation and Longing: The singer questions the moon, which is believed to have traveled across the sky all night, about where her beloved might have been. She expresses her own sleepless night filled with yearning.

• Pain of Absence: The song conveys the intense emotional pain of being away from a loved one. The absence is so profound that even the natural elements are questioned for their whereabouts and their role as companions to the beloved.

• Love and Devotion: Despite the sorrow, the song is also a testament to the depth of the singer's love. Her entire world revolves around her beloved, and their absence leaves a void that is deeply felt.

It's a classic example of Punjabi folk music that resonates with listeners through its evocative imagery and heartfelt emotions.

(This video is posted by channel – Saregama Punjabi on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Kaala Doriya Surinder Kaur & Parkash Kaur.(Saregama Punjabi)

"Kala Doriya" is a very popular and lively Punjabi folk song, famously sung as a duet by the legendary sisters Surinder Kaur and Prakash Kaur. The music is by K.S. Narula, and the lyrics are traditional.

The song is a playful and somewhat teasing interaction, primarily between a sister-in-law ("bhabhi") and her younger brother-in-law ("deor"). Here's what it's generally about:

• The "Kala Doriya" (Black Striped Cloth): The "Kala Doriya" itself is a black striped cloth, often a part of traditional Punjabi women's clothing like a suthhan (loose trousers). The song uses this as a recurring motif, almost like a playful challenge or a hook.

• Brother-in-law's Mischief: The song describes how the younger brother-in-law ("chhota devra") is constantly quarreling or "fighting" ("ladya") with his sister-in-law ("bhabi"). The "Kala Doriya" is often mentioned in connection with this playful conflict.

• The Sister-in-law's Plea/Advice: The bhabi often tells her deor not to quarrel with her, suggesting that he has to go "far away" (implying he will eventually get married and have his own wife to deal with, or perhaps he's just a guest in the house). There's an element of advice or a gentle warning.

• Themes of Marriage and Family Life: The song often touches upon various aspects of married life, family dynamics, and the teasing relationships within a traditional Punjabi household. It might mention things like food prepared for farmers, clothing, or household chores, all within the context of these interactions.

• Playful Banter: At its heart, "Kala Doriya" is a song of playful banter and teasing. It captures the spirit of daily life and relationships within a Punjabi joint family, often sung during wedding celebrations and folk performances.

It's a song that brings to life the vibrant culture and the charming, sometimes mischievous, relationships that are a part of Punjabi tradition.

(This video is posted by channel – Saregama Punjabi on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Mohd,Samshad begum and chorus old punjabi songs (playlist) (video posted by everything old is gold)

Mohd,Samshad begum and chorus old punjabi songs (playlist) (video posted by everything old is gold). The song "Rab Na Kare Je Chala Jayen" from the 1959 Punjabi film Bhangra is an emotional and heartfelt romantic duet sung by Mohammed Rafi and Shamshad Begum.

Meaning of the Song

The core meaning of the song revolves around a profound fear of separation and a desperate plea for eternal love and commitment.

The central phrase, "Rab Na Karey Je Chala Jayen" (ਰੱਬ ਨਾ ਕਰੇ ਜੇ ਚਲਾ ਜਾਵੇਂ), translates to:

• "God forbid that you should ever leave (me)."

• (This video is posted by channel – Everything Old is Gold on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Asan Chann nu gawah kita Mohammad Rafi, Asha Bhonsle

Asan Chann nu gawwah kita   Mohammad Rafi, Asha Bhonsle video p[osted on You Tube by Melody's always Queen Raja. 

The song "Assan Chan Nu Gawwa Keeta" is a beautiful and soulful Punjabi duet from the 1960 film Billo, sung by the legendary duo Mohammed Rafi and Asha Bhosle.

The song is a classic example of romantic vows in traditional Punjabi poetry, focusing on eternal commitment, love's truth, and finding a divine witness to their bond.

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Meaning of the Song: Assan Chan Nu Gawwa Keeta

The title line and central theme of the song, "Assan Chan Nu Gawwa Keeta," translates to:

"We have made the Moon our Witness."

This phrase instantly establishes the song's core theme: the lovers are making a sacred, public declaration of their everlasting love, using the Moon ($Chan$)—a universal symbol of permanence, purity, and distant divinity—as their ultimate witness.

Detailed Breakdown of Thematic Elements

The lyrics typically express a solemn exchange of promises, which can be broken down into the following themes:

1. The Vow and The Witness

• The Moon as a Testament: By choosing the moon as a witness ($Gawwa$), the lovers elevate their promise above ordinary human vows. The moon is eternal, impartial, and watches over the world night after night. They are essentially saying, "Our love is so pure and truthful that the Moon itself can vouch for it, and it will last as long as the Moon shines."

2. Eternal Love and Fidelity

• Unwavering Commitment: The singers affirm that no matter what difficulties or distance come between them, their hearts are eternally bound. The song is a declaration of $wafa$ (fidelity) and the belief that their soulmate connection is unbroken.

3. Deep Emotional Connection

• Soulmates: The song emphasizes that the beloved is the most precious thing in life. The love is not just a casual affair but a profound, life-altering commitment. Lines often express that their hearts are inseparable, and one cannot exist without the other.

4. The Beauty of the Bond

• Romantic Imagery: Like many songs of that era, the lyrics would use beautiful, poetic imagery (likely by lyricist Aziz Kashmiri or Verma Malik) to describe the feeling of being in love—comparing the beloved to stars, flowers, and the light of life.

Summary

"Assan Chan Nu Gawwa Keeta" is essentially a melodious, romantic contract between two lovers. They make a profound, unbreakable promise to each other under the watchful, eternal eyes of the Moon, affirming that their love is true, eternal, and divinely witnessed. It's a hallmark of classic Punjabi film music that perfectly combines a deeply emotional theme with a sweet, unforgettable melody.

(This video is posted by channel – Melody's always Queen Raja on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Bhanwein Bol Te Bhanwein Na Bol Do Lachhian 1959 Punjabi Shamshad Begum ...

ਫਿਲਮ "ਦੋ ਲਛੀਆਂ" (Do Lachhian, 1960) ਦੇ ਗੀਤ "ਭਾਨਵੇਂ ਬੋਲ ਤੇ ਭਾਨਵੇਂ ਨਾ ਬੋਲ" ਬਾਰੇ ਜਾਣਕਾਰੀ ਪੰਜਾਬੀ ਵਿੱਚ ਹੇਠਾਂ ਦਿੱਤੀ ਗਈ ਹੈ:

ਗੀਤ: ਭਾਨਵੇਂ ਬੋਲ ਤੇ ਭਾਨਵੇਂ ਨਾ ਬੋਲ (Bhanwein Bol Te Bhanwein Na Bol)

ਤੁਸੀਂ ਪੰਜਾਬੀ ਸਿਨੇਮਾ ਦੇ ਇੱਕ ਬਹੁਤ ਹੀ ਮਿੱਠੇ ਤੇ ਕਲਾਸਿਕ ਗੀਤ ਦਾ ਜ਼ਿਕਰ ਕੀਤਾ ਹੈ, ਜਿਸ ਨੂੰ ਮਹਾਨ ਗਾਇਕਾ ਸ਼ਮਸ਼ਾਦ ਬੇਗਮ ਨੇ ਗਾਇਆ ਸੀ।

ਵੇਰਵਾ (Detail)	ਜਾਣਕਾਰੀ (Information)
ਗਾਇਕਾ (Singer)	ਸ਼ਮਸ਼ਾਦ ਬੇਗਮ (Shamshad Begum)
ਸੰਗੀਤਕਾਰ (Music Director)	ਹੰਸਰਾਜ ਬਹਿਲ (Hansraj Behl)
ਗੀਤਕਾਰ (Lyricist)	ਵਰਮਾ ਮਲਿਕ (Verma Malik)
ਫ਼ਿਲਮ (Film)	ਦੋ ਲਛੀਆਂ (Do Lachhian)
ਰਿਲੀਜ਼ ਸਾਲ	1960

ਗੀਤ ਦੇ ਬੋਲਾਂ ਦਾ ਅਰਥ (Meaning of the Lyrics)

ਗੀਤ ਦੀ ਮੁੱਖ ਸਤਰ ਹੈ: "ਭਾਨਵੇਂ ਬੋਲ ਤੇ ਭਾਨਵੇਂ ਨਾ ਬੋਲ ਵੇ ਚੰਨਾ ਬਸ ਅੱਖੀਆਂ ਦੇ ਕੋਲ"

ਪੰਜਾਬੀ (Punjabi)	ਆਮ ਅਰਥ (General Meaning)
ਭਾਨਵੇਂ ਬੋਲ	ਭਾਵੇਂ ਤੂੰ ਬੋਲ
ਤੇ ਭਾਨਵੇਂ ਨਾ ਬੋਲ	ਤੇ ਭਾਵੇਂ ਨਾ ਬੋਲ
ਵੇ ਚੰਨਾ	ਓਏ ਮੇਰੇ ਮਾਹੀ (ਮੇਰੇ ਚੰਨ ਵਰਗੇ)
ਬਸ ਅੱਖੀਆਂ ਦੇ ਕੋਲ	ਬਸ ਮੇਰੀਆਂ ਅੱਖਾਂ ਦੇ ਕੋਲ

ਪੂਰੀ ਸਤਰ ਦਾ ਭਾਵ:

ਪ੍ਰੇਮਿਕਾ ਆਪਣੇ ਮਾਹੀ ਨੂੰ ਕਹਿੰਦੀ ਹੈ ਕਿ, "ਭਾਵੇਂ ਤੂੰ ਬੋਲੇਂ ਜਾਂ ਨਾ ਬੋਲੇਂ, ਮੇਰੇ ਸੱਜਣਾ, ਬਸ ਮੇਰੀਆਂ ਅੱਖਾਂ ਦੇ ਕੋਲ ਹੀ ਰਹੀਂ।" ਇਹ ਗੀਤ ਬਿਨਾਂ ਕੁਝ ਕਹੇ ਪਿਆਰ ਅਤੇ ਨੇੜਤਾ (closeness) ਦੀ ਇੱਛਾ ਨੂੰ ਬਿਆਨ ਕਰਦਾ ਹੈ।

ਫਿਲਮ: ਦੋ ਲਛੀਆਂ (Do Lachhian) - 1960

ਇਹ ਫਿਲਮ ਇੱਕ ਰੋਮਾਂਟਿਕ ਡਰਾਮਾ ਹੈ, ਜਿਸ ਵਿੱਚ ਮੁੱਖ ਕਲਾਕਾਰ ਗੋਪਾਲ ਸਹਿਗਲ, ਇੰਦਰਾ ਬਿੱਲੀ, ਦਲਜੀਤ ਅਤੇ ਕ੍ਰਿਸ਼ਨਾ ਕੁਮਾਰੀ ਸਨ।

• ਕਹਾਣੀ (Synopsis): ਕਹਾਣੀ ਦੋ ਕੁੜੀਆਂ, ਜਿਨ੍ਹਾਂ ਨੂੰ 'ਵੱਡੀ ਲੱਛੀ' ਤੇ 'ਛੋਟੀ ਲੱਛੀ' ਕਿਹਾ ਜਾਂਦਾ ਹੈ, ਦੇ ਆਲੇ-ਦੁਆਲੇ ਘੁੰਮਦੀ ਹੈ। ਉਹ ਦੋਵੇਂ ਕ੍ਰਮਵਾਰ ਲੱਭੂ ਅਤੇ ਸੋਹਣਾ ਨਾਮ ਦੇ ਦੋ ਮੁੰਡਿਆਂ ਨਾਲ ਪਿਆਰ ਕਰਦੀਆਂ ਹਨ। ਕਹਾਣੀ ਵਿੱਚ ਇੱਕ ਸਾਹੂਕਾਰ ਆਉਂਦਾ ਹੈ ਜੋ ਛੋਟੀ ਲੱਛੀ ਨਾਲ ਵਿਆਹ ਕਰਨਾ ਚਾਹੁੰਦਾ ਹੈ ਅਤੇ ਇਸ ਲਈ ਉਹ ਦੋਵਾਂ ਪਰਿਵਾਰਾਂ ਵਿੱਚ ਝਗੜਾ ਕਰਵਾਉਂਦਾ ਹੈ। ਅੰਤ ਵਿੱਚ, ਗਲਤਫਹਿਮੀਆਂ ਦੂਰ ਹੋ ਜਾਂਦੀਆਂ ਹਨ ਅਤੇ ਪ੍ਰੇਮੀ ਇੱਕ ਹੋ ਜਾਂਦੇ ਹਨ।

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गाना "भानवें बोल ते भानवें ना बोल (Bhanwein Bol Te Bhanwein Na Bol)" फ़िल्म "दो लछियाँ" (Do Lachhian, 1959/1960) का एक बहुत ही मधुर और सदाबहार गीत है, जिसे मशहूर गायिका शमशाद बेगम ने अपनी अनोखी आवाज़ दी थी।

यहाँ इस गीत और फ़िल्म से जुड़ी विस्तृत जानकारी दी गई है:

गीत: भानवें बोल ते भानवें ना बोल (Bhanwein Bol Te Bhanwein Na Bol)

विवरण (Detail)	जानकारी (Information)
गायक (Singer)	शमशाद बेगम (Shamshad Begum)
संगीतकार (Music Director)	हंसराज बहल (Hansraj Behl)
गीतकार (Lyricist)	वर्मा मलिक (Verma Malik)
फ़िल्म (Film)	दो लछियाँ (Do Lachhian)
रिलीज़ वर्ष	1960 (फ़िल्म 1959 में बनी थी, 1960 में रिलीज़ हुई)

गाने के बोल का अर्थ (Meaning of the Lyrics)

गाने की मुख्य लाइन है: "भानवें बोल ते भानवें ना बोल वे चन्ना बस अखियाँ दे कोल"

पंजाबी (Punjabi)	सामान्य अनुवाद (General Meaning)
भानवें बोल	Even if you speak
ते भानवें ना बोल	And even if you don't speak
वे चन्ना	Oh, my beloved (Moon)
बस अखियाँ दे कोल	Just stay near my eyes

पूरे लाइन का मतलब:

प्रेमी (प्रेमिका) अपने प्रिय (चन्ना) से कहती है कि, "चाहे तुम बोलो या न बोलो, मेरे प्रिय, बस मेरी आँखों के पास ही रहना।" यह गीत बिना बोले प्यार और सामीप्य (closeness) की इच्छा को बहुत ही कोमल तरीके से व्यक्त करता है।

फ़िल्म: दो लछियाँ (Do Lachhian) - 1960

फ़िल्म "दो लछियाँ" एक रोमांटिक ड्रामा है, जिसके मुख्य कलाकार गोपाल सहगल, इंदिरा बिल्लि, दलजीत और कृष्णा कुमारी थे।

• कहानी (Synopsis): यह कहानी दो लड़कियों के इर्द-गिर्द घूमती है, जिन्हें 'वड्डी लच्छी' और 'छोटी लच्छी' कहा जाता है। ये दोनों क्रमशः लब्भू और सोहना नाम के दो लड़कों से प्यार करती हैं। कहानी में एक साहूकार (moneylender) आता है जो छोटी लच्छी से शादी करना चाहता है और इसके लिए वह दोनों परिवारों और लड़कियों के बीच झगड़ा करवाता है। अंत में, गलतफहमियाँ दूर होती हैं और प्रेमी मिल जाते हैं।

• संगीत का जादू: इस फ़िल्म का संगीत हंसराज बहल ने दिया था और यह अपने समय का सुपरहिट था। इस फ़िल्म के अन्य प्रसिद्ध गीत भी हैं, जैसे "हाय नी मेरा बालम है बड़ा ज़ालिम" (शमशाद बेगम और लता मंगेशकर द्वारा गाया गया)।

(This video is posted by the channel All In One Parsowal  on YouTube, and Raree India has no direct claim to this video.) This video is added to this post for knowledge purposes only.)

Posti Punjabi movie song ....Tu peeng te main

Posti Punjabi movie song ....Tu peeng te main ...song posted on YouTube by SEPL. The song "Tu Peeng Te Main Parchawaan" is a highly popular and melodious Punjabi duet from the film Posti (released around 1950/1951), sung by the iconic pair Mohammed Rafi and Asha Bhosle.

The song is a beautiful and poetic expression of complete and inseparable devotion between two lovers.

Meaning of the Song in Detail

The core meaning of the song is established in the very first line, which uses two powerful, contrasting images to describe the relationship:

"Tu Peeng Te Main Parchawaan"

Translation: "You are the Swing, and I am the Shadow."

Thematic Breakdown of the Metaphor:

1. The Swing (Peeng): Symbolizes the beloved (often sung by the male to the female, or vice-versa) as the center of activity, movement, and joy. The swing is the one that moves, touches the sky, and gives life its momentum and excitement.

2. The Shadow (Parchawaan): Symbolizes the lover as the inseparable companion, follower, and devoted presence. A shadow cannot exist without its object, nor can it ever be truly separated from it.

By using this metaphor, the singers are declaring:

• Inseparable Love: "I will follow you wherever you go, just as a shadow follows the swing (or the person on the swing)."

• Complete Devotion: "My existence is dependent on yours. You are the source of my life and movement."

• Eternal Presence: "I will always be by your side, visible or invisible."

• (This video is posted by channel – Shida Telle on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Teri Kanak Di Rakhi (Do Lachhian 1960)

This Video posted on YouTube by Everything is old and gold, This song is from the movie "Do lacchiyan". The song "Teri Kanak Di Rakhi Mundiya" is a playful and romantic Punjabi folk duet from the 1959 film Do Lachhian, sung by the dynamic pair Mohammed Rafi and Shamshad Begum.

The song is set against the backdrop of a rural Punjabi setting, using common village activities—specifically, guarding the wheat field—as a metaphor for courtship and flirtation.

Meaning of the Song in Detail

The core meaning and the famous line, "Teri Kanak Di Rakhi Mundiya," is a direct command or request:

"O Boy, I will look after your wheat field."

While literally about farming, the song is actually a highly coded and charming exchange about a girl volunteering her presence near her beloved and offering her companionship.

Thematic Breakdown:

1. The Offering of Companionship (The Core Flirtation):

   • The female singer (often played by the actress Nishi in the film) offers to guard the young man's (Mundiya's) Kanak (wheat crop).

   • Literal Meaning: She is helping with the farm work, protecting the crop from birds or animals.

   • Metaphorical Meaning: In Punjabi folk culture, the wheat field is a classic meeting place for lovers. By offering to sit there, she is creating a legitimate, socially accepted opportunity to spend time with him, signaling her interest and affection.

2. The Request for Attention and Affection:

   • The girl's offer is often conditional or followed by a playful demand for the boy's attention or a small gift in return (like a new Chunni or a pair of Jutti).

   • This exchange of favors is a traditional way of solidifying the relationship and expressing desire without direct, explicit romance.

3. The Boy's Response (Rafi's Part):

   • The male singer's part usually expresses appreciation, teasing, or a reciprocal offer. He might:

     • Express pride in her willingness to join him.

     • Tease her about the difficulties of the work or her real intention (which is to be near him).

     • Pledge devotion in return for her company.

4. Rural and Cultural Imagery:

   • The song is rich with the flavor of rural Punjab: the golden wheat fields, the tasks of the farmer, and the simple, innocent interactions between village youth. The use of simple, earthy language (like Kanak and Mundiya) adds to its authentic folk charm.

Summary

"Teri Kanak Di Rakhi Mundiya" is a vibrant, flirtatious duet centered on the universal theme of attraction. The girl is using the pretext of farming duty ("I'll guard your wheat field") as an excuse to be with the boy, and the boy accepts her offer with joy and reciprocal affection. It is a beautiful celebration of innocent rural romance and courtship.

(This video is posted by channel – Everything is Old and Gold on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Kachi Tut Gayi Jina Di Yari

This beautiful old punjabi song is posted on you tube by melody"s Queen RAJA. The song "Kachi Tut Gayi Jinhan Di Yaari 'Te Patna Te Ron" is a classic, deeply melancholic Punjabi folk song, powerfully rendered by the legendary Shamshad Begum for the film Guddi (1961).

The song is an expression of heartbreak, betrayal, and the deep, silent pain of a love that was fragile and ultimately broken.

Meaning of the Song in Detail

The main line of the song contains the full meaning and theme:

"Kachi Tut Gayi Jinhan Di Yaari 'Te Patna Te Ron"

Translation: "Those whose kachi (raw/fragile) love broke, they cry (in despair) at the banks/shores."

• $Yaari$ (Love/Friendship/Bond): Refers to the romantic relationship.

• $Kachi$ (Raw/Fragile/Unripe): The crucial word, meaning the bond was not strong, mature, or permanent. It was easily broken.

• $TutGayi$ (Broke/Shattered): The relationship ended abruptly.

• $Patna$ (Banks/Shores): This likely refers to the banks of a river or canal, which are traditional places for lovers to meet and for the heartbroken to grieve in solitude, allowing their tears to mix with the flowing water.

Thematic Breakdown:

1. The Pain of Fragile Love (Kachi Yaari):

   • The song emphasizes that the love was weak from the start. The sadness stems not just from the loss, but from the realization that the foundation of the relationship was never strong enough to withstand life's pressures.

   • This theme is universal: the agony of investing hope in something that was doomed to fail.

2. Solitary Grief and Despair (Patna Te Ron):

   • The imagery of crying alone by the water's edge is intensely evocative. The river is a silent witness to the sorrow.

   • Crying at the "patna" (banks) suggests the grief is deep, private, and possibly endless, like the flow of the river itself. The weeping is not for show, but a release of soul-deep anguish.

3. Betrayal and Unfulfilled Promises:

   • Folk songs dealing with heartbreak often touch upon the beloved's betrayal or moving on. The singer is left lamenting the promises that were made but never kept, and the beautiful future that was lost because the foundation (yaari) was so kachi.

4. Shamshad Begum's Style:

   • Shamshad Begum's earthy, powerful voice brings a raw, authentic emotion to the traditional Punjabi lyrics. Her rendition makes the pain sound not just personal but also a reflection of the collective heartache experienced in the community.

In short, "Kachi Tut Gayi Jinhan Di Yaari 'Te Patna Te Ron" is a classic lament that mourns the tragic end of a love that was too delicate to survive, leaving the heartbroken lover to weep in desolate solitude at the river's edge.

(This video is posted by channel – Melody's Queen RAJA on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Laiya Te Tod Nibhaveen Chhad Ke | COLORIZED | Mahendra Kapoor & Lata Mangeshkar | Pind Di Kudi 1963

The Punjabi phrase "Lai Aa Te Torh Nibhawin chadd ke na jaawin" can be translated into English as:

"Bring it (this relationship/promise/bond) and fulfill it (maintain it); don't leave (me)."

Here's a breakdown:

• Lai Aa (ਲੈ ਆ): Bring it (Implies starting or establishing a bond/relationship).

• Te (ਤੇ): And

• Torh Nibhawin (ਤੋੜ ਨਿਭਾਵੀਂ): Fulfill the bond/promise/relationship; maintain the commitment.

  • Torh (ਤੋੜ): Can mean the end/limit, but in this context often refers to the nibhawana (fulfilling) of a bond/promise.

  • Nibhawin (ਨਿਭਾਵੀਂ): You fulfill/maintain (an imperative for the other person).

• Chadd ke na jaawin (ਛੱਡ ਕੇ ਨਾ ਜਾਵੀਂ): Don't leave (me).

  • Chadd ke (ਛੱਡ ਕੇ): Leaving/abandoning.

  • Na jaawin (ਨਾ ਜਾਵੀਂ): Don't go (an imperative plea).

The overall meaning is a heartfelt plea for commitment and fidelity, often used in romantic or close relationships.

(This video is posted by channel –Classic Golden Era on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Batti bal ke banere uttey rakhni aan

Batti bal ke banere uttey rakhni aan, video posted on youtube by IMIRZA777. The song "Batti bal ke banere uttey rakhni aan" is one of the most beloved and iconic Punjabi folk songs, originally popularized by legends like Surinder Kaur and Shamshad Begum, and covered by many artists since. It is a quintessential song of waiting, longing, and sweet anticipation in a traditional Punjabi setting.

Meaning of the Song in Detail

The main line of the song contains the full theme:

"Batti bal ke banere uttey rakhni aan... Galli bhull na jaave chann mera."

Translation: "I will light the lamp and place it on the ledge (parapet/window sill)... Lest my Moon (beloved) forget the street."

Thematic Breakdown:

1. The Act of Lighting the Lamp ($Batti$):

   • Literal Meaning: The woman is lighting a small lamp and placing it on the roof or window sill (Banera).

   • Metaphorical Meaning: This is a symbolic act of guidance and love. The lamp is a beacon of hope and a physical sign to her beloved that she is waiting for him. It ensures he can find his way through the dark, unknown streets.

   • The Fear of the Beloved Getting Lost ($GalliBhull\; NaJaave$):

   • The key emotion is anxiety mixed with love. She fears her "Moon" ($Chan$ – a term of endearment for the beloved) might miss the way because he is unfamiliar with the small, dark village lanes.

   • This highlights the innocence and uncertainty of their secret meeting.

   • Sweet Anticipation and Preparation:The lyrics detail her actions while she waits, showing her nervous excitement:

   • Opening the Door ($BuhaKholKe$): She opens the door and peeks out secretly ($ChoriChoriTakkniAan$) to see if he has arrived, not wanting to ask directly where her house is.

   • Adorning Herself: She mentions having combed her hair ($Kanghian$) and applied kohl/eyeliner ($Kajjla$), indicating she has dressed up beautifully for his arrival.

   • Nervous Pacing: She sits down and immediately gets up again ($Kadibehniaanteuthuthnassniaan$) because she is too restless to wait.

   • The Fear of Turning Back ($AakeMurrNaJaave$):Another deep fear expressed in the song is that if he cannot find the house or sees her waiting, he might hesitate and turn back. Her every action is designed to remove all obstacles to his arrival.

In essence, "Batti bal ke banere uttey rakhni aan" is a timeless portrait of a young woman's waiting heart, showcasing the universal feelings of impatience, fear, and profound love as she creates a warm, visible signal for her beloved to find his way to her in the darkness.

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ਇਹ ਗੀਤ, "ਬੱਤੀ ਬਾਲ ਕੇ ਬਨੇਰੇ ਉੱਤੇ ਰੱਖਣੀ ਆਂ," ਸੁਰਿੰਦਰ ਕੌਰ ਅਤੇ ਸ਼ਮਸ਼ਾਦ ਬੇਗਮ ਵਰਗੀਆਂ ਮਹਾਨ ਕਲਾਕਾਰਾਂ ਦੁਆਰਾ ਪ੍ਰਸਿੱਧ ਕੀਤੇ ਗਏ ਸਭ ਤੋਂ ਪਿਆਰੇ ਅਤੇ ਪ੍ਰਤੀਕ ਪੰਜਾਬੀ ਲੋਕ ਗੀਤਾਂ ਵਿੱਚੋਂ ਇੱਕ ਹੈ, ਜਿਸ ਨੂੰ ਉਦੋਂ ਤੋਂ ਕਈ ਕਲਾਕਾਰਾਂ ਨੇ ਗਾਇਆ ਹੈ। ਇਹ ਇੱਕ ਰਵਾਇਤੀ ਪੰਜਾਬੀ ਮਾਹੌਲ ਵਿੱਚ ਇੰਤਜ਼ਾਰ, ਤਾਂਘ, ਅਤੇ ਮਿੱਠੀ ਉਡੀਕ ਦਾ ਇੱਕ ਢੁਕਵਾਂ ਗੀਤ ਹੈ।

ਗੀਤ ਦੇ ਅਰਥਾਂ ਦੀ ਵਿਸਤ੍ਰਿਤ ਵਿਆਖਿਆ

ਗੀਤ ਦੀ ਮੁੱਖ ਸਤਰ ਵਿੱਚ ਪੂਰਾ ਵਿਸ਼ਾ ਸ਼ਾਮਲ ਹੈ:

"ਬੱਤੀ ਬਾਲ ਕੇ ਬਨੇਰੇ ਉੱਤੇ ਰੱਖਣੀ ਆਂ... ਗਲੀ ਭੁੱਲ ਨਾ ਜਾਵੇ ਚੰਨ ਮੇਰਾ।"

ਅਨੁਵਾਦ: "ਮੈਂ ਦੀਵਾ/ਬੱਤੀ ਜਗਾ ਕੇ ਬਨੇਰੇ (ਛੱਤ/ਖਿੜਕੀ ਦੀ ਕੰਧ) ਉੱਤੇ ਰੱਖਾਂਗੀ... ਕਿਤੇ ਮੇਰਾ ਚੰਨ (ਪਿਆਰਾ) ਗਲੀ ਨਾ ਭੁੱਲ ਜਾਵੇ।"

ਵਿਸ਼ੇ ਅਨੁਸਾਰ ਵੰਡ:

ਦੀਵਾ ਜਗਾਉਣ ਦਾ ਕਾਰਜ (ਬੱਤੀ):

• ਸ਼ਾਬਦਿਕ ਅਰਥ: ਮੁਟਿਆਰ ਇੱਕ ਛੋਟਾ ਜਿਹਾ ਦੀਵਾ ਜਗਾ ਕੇ ਛੱਤ ਜਾਂ ਖਿੜਕੀ ਦੇ ਕਿਨਾਰੇ (ਬਨੇਰੇ) ਉੱਤੇ ਰੱਖ ਰਹੀ ਹੈ।

• ਅਲੰਕਾਰਿਕ ਅਰਥ: ਇਹ ਮਾਰਗਦਰਸ਼ਨ ਅਤੇ ਪਿਆਰ ਦਾ ਪ੍ਰਤੀਕ ਕਾਰਜ ਹੈ। ਦੀਵਾ ਉਮੀਦ ਦੀ ਰੌਸ਼ਨੀ ਅਤੇ ਉਸਦੇ ਪ੍ਰੀਤਮ ਲਈ ਇੱਕ ਸਰੀਰਕ ਨਿਸ਼ਾਨੀ ਹੈ ਕਿ ਉਹ ਉਸਦੀ ਉਡੀਕ ਕਰ ਰਹੀ ਹੈ। ਇਹ ਯਕੀਨੀ ਬਣਾਉਂਦਾ ਹੈ ਕਿ ਉਹ ਹਨੇਰੀਆਂ, ਅਣਜਾਣ ਗਲੀਆਂ ਵਿੱਚ ਆਪਣਾ ਰਸਤਾ ਲੱਭ ਸਕੇ।

ਪਿਆਰੇ ਦੇ ਗੁੰਮ ਹੋਣ ਦਾ ਡਰ (ਗਲੀ ਭੁੱਲ ਨਾ ਜਾਵੇ):

ਮੁੱਖ ਭਾਵਨਾ ਪਿਆਰ ਦੇ ਨਾਲ-ਨਾਲ ਚਿੰਤਾ ਦੀ ਵੀ ਹੈ। ਉਹ ਡਰਦੀ ਹੈ ਕਿ ਉਸਦਾ "ਚੰਨ" (ਪਿਆਰੇ ਲਈ ਪਿਆਰ ਭਰਿਆ ਸ਼ਬਦ) ਰਸਤਾ ਨਾ ਭੁੱਲ ਜਾਵੇ, ਕਿਉਂਕਿ ਉਹ ਛੋਟੀਆਂ, ਹਨੇਰੀਆਂ ਪਿੰਡਾਂ ਦੀਆਂ ਗਲੀਆਂ ਤੋਂ ਅਣਜਾਣ ਹੈ।

ਇਹ ਉਹਨਾਂ ਦੀ ਗੁਪਤ ਮੁਲਾਕਾਤ ਦੀ ਮਾਸੂਮੀਅਤ ਅਤੇ ਅਨਿਸ਼ਚਿਤਤਾ ਨੂੰ ਦਰਸਾਉਂਦਾ ਹੈ।

ਮਿੱਠੀ ਉਡੀਕ ਅਤੇ ਤਿਆਰੀ:

ਗੀਤ ਦੇ ਬੋਲ ਉਸਦੇ ਇੰਤਜ਼ਾਰ ਦੌਰਾਨ ਉਸਦੀਆਂ ਕਾਰਵਾਈਆਂ ਦਾ ਵੇਰਵਾ ਦਿੰਦੇ ਹਨ, ਜੋ ਉਸਦੀ ਘਬਰਾਹਟ ਭਰੀ ਉਤਸੁਕਤਾ ਨੂੰ ਦਰਸਾਉਂਦੇ ਹਨ:

• ਦਰਵਾਜ਼ਾ ਖੋਲ੍ਹਣਾ (ਬੂਹਾ ਖੋਲ੍ਹ ਕੇ): ਉਹ ਦਰਵਾਜ਼ਾ ਖੋਲ੍ਹਦੀ ਹੈ ਅਤੇ ਚੋਰੀ-ਚੋਰੀ ਝਾਕਦੀ (ਚੋਰੀ ਚੋਰੀ ਤੱਕਣੀ ਆਂ) ਹੈ ਕਿ ਕੀ ਉਹ ਆਇਆ ਹੈ, ਉਹ ਸਿੱਧਾ ਪੁੱਛਣਾ ਨਹੀਂ ਚਾਹੁੰਦੀ ਕਿ ਉਸਦਾ ਘਰ ਕਿੱਥੇ ਹੈ।

• ਆਪਣੇ ਆਪ ਨੂੰ ਸਜਾਉਣਾ: ਉਹ ਆਪਣੇ ਵਾਲਾਂ ਵਿੱਚ ਕੰਘੀ (ਕੰਘੀਆਂ) ਕਰਨ ਅਤੇ ਸੁਰਮਾ/ਕਾਜਲ (ਕੱਜਲਾ) ਲਗਾਉਣ ਦਾ ਜ਼ਿਕਰ ਕਰਦੀ ਹੈ, ਇਹ ਦਰਸਾਉਂਦਾ ਹੈ ਕਿ ਉਸਨੇ ਉਸਦੇ ਆਉਣ ਲਈ ਖੂਬਸੂਰਤ ਤਿਆਰੀ ਕੀਤੀ ਹੈ।

• ਬੇਚੈਨੀ: ਉਹ ਬੈਠ ਜਾਂਦੀ ਹੈ ਅਤੇ ਤੁਰੰਤ ਦੁਬਾਰਾ ਉੱਠ ਜਾਂਦੀ ਹੈ (ਕਦੀ ਬੈਹਨੀ ਆਂ ਤੇ ਉੱਠ ਉੱਠ ਨੱਸਣੀ ਆਂ) ਕਿਉਂਕਿ ਉਹ ਇੰਤਜ਼ਾਰ ਕਰਨ ਲਈ ਬਹੁਤ ਬੇਚੈਨ ਹੈ।

ਵਾਪਸ ਮੁੜ ਜਾਣ ਦਾ ਡਰ (ਆ ਕੇ ਮੁੜ ਨਾ ਜਾਵੇ):

ਗੀਤ ਵਿੱਚ ਪ੍ਰਗਟ ਕੀਤਾ ਗਿਆ ਇੱਕ ਹੋਰ ਡੂੰਘਾ ਡਰ ਇਹ ਹੈ ਕਿ ਜੇ ਉਹ ਘਰ ਨਾ ਲੱਭ ਸਕਿਆ ਜਾਂ ਉਸਨੂੰ ਇੰਤਜ਼ਾਰ ਕਰਦੇ ਦੇਖਿਆ, ਤਾਂ ਉਹ ਝਿਜਕ ਕੇ ਵਾਪਸ ਮੁੜ ਸਕਦਾ ਹੈ। ਉਸਦੀ ਹਰ ਕਾਰਵਾਈ ਉਸਦੇ ਆਉਣ ਦੀਆਂ ਸਾਰੀਆਂ ਰੁਕਾਵਟਾਂ ਨੂੰ ਦੂਰ ਕਰਨ ਲਈ ਤਿਆਰ ਕੀਤੀ ਗਈ ਹੈ।

ਸੰਖੇਪ ਵਿੱਚ, "ਬੱਤੀ ਬਾਲ ਕੇ ਬਨੇਰੇ ਉੱਤੇ ਰੱਖਣੀ ਆਂ" ਇੱਕ ਮੁਟਿਆਰ ਦੇ ਉਡੀਕਦੇ ਦਿਲ ਦਾ ਇੱਕ ਸਦੀਵੀ ਚਿੱਤਰ ਹੈ, ਜੋ ਉਸਦੀ ਬੇਸਬਰੀ, ਡਰ, ਅਤੇ ਡੂੰਘੇ ਪਿਆਰ ਦੀਆਂ ਭਾਵਨਾਵਾਂ ਨੂੰ ਦਰਸਾਉਂਦਾ ਹੈ ਜਦੋਂ ਉਹ ਹਨੇਰੇ ਵਿੱਚ ਆਪਣੇ ਪਿਆਰੇ ਲਈ ਆਪਣੇ ਰਸਤੇ ਨੂੰ ਲੱਭਣ ਲਈ ਇੱਕ ਨਿੱਘਾ, ਦਿੱਖਣ ਵਾਲਾ ਸੰਕੇਤ ਬਣਾਉਂਦੀ ਹੈ।

(This video is posted by channel –IMIRZA777 on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

Old bolyan of punjabi culture Prakash Kaur & Surinder Kaur Saade Tan V...

This video is posted on YouTube by Murtazajutt. The song "Saade Tan Vehde Mudh Makayee Da" (often titled as "Sade Tan Vehre Mud Makayee Da") is a beautiful example of traditional Punjabi $Boliyan$ (couplets/folk verses) sung by the legendary sisters Prakash Kaur & Surinder Kaur.

As a $Boli$, the song is not a linear narrative but a series of interconnected verses, primarily celebrating rural life, simple pleasures, and the profound beauty of village companionship.

Meaning of the Song in Detail

The main line of the song, which serves as its refrain, sets the entire mood:

"Saade Tan Vehde Mudh Makayee Da"

Translation: "In our courtyard, the roots of the maize (corn) plant are still there."

Thematic Breakdown:

1. The Celebration of Village Life and Simplicity:

   • $Vehda$ (Courtyard): The centerpiece of a Punjabi village home, symbolizing domestic life, community, and the place where families gather and celebrate.

   • $Makayee$ (Maize/Corn): A staple crop, symbolizing the close relationship between the family and the land. The fact that the roots of the maize are still there suggests the continuity of agricultural life and the simple, fulfilling existence dependent on nature. It represents homegrown comfort and tradition.

2. Affection and Invitations to the Beloved:

   • Like many Boliyan, the song quickly shifts to addressing a loved one (often the $Mahi$ or $Chann$—beloved/Moon).

   • The peaceful, fertile image of the courtyard is used as an invitation. She is essentially saying: "My home and my heart are rooted and ready; come and join me here."

   • The simple, rooted image contrasts with the fleeting, complex nature of the outside world, inviting the beloved to share this stability.

3. Feminine Charm and Domesticity:

   • The verses that follow the refrain typically describe the women's activities: churning milk, wearing traditional clothes, or gossiping.

   • The act of singing Boliyan itself is an expression of youthful feminine energy, often performed during $Gidha$ (folk dance) at festivals like $Teej$.

4. Cultural Nostalgia and Heritage:

   • Sung by the "Nightingales of Punjab," Prakash Kaur and Surinder Kaur, the song evokes a strong sense of nostalgia for the golden era of simple village culture. It preserves the dialect, imagery, and customs of a bygone era, making it a powerful piece of cultural heritage.

In summary, "Saade Tan Vehde Mudh Makayee Da" is a quintessential piece of Punjabi folk music. It is not just about a maize plant; it is a warm, loving invitation to share a life deeply rooted in the soil, simplicity, and enduring traditions of the Punjabi village.

(This video is posted by channel – Murtazajutt on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)