Hai Ni Mera Balam Hai Bada Zalam | Shamshad Begum | Old Punjabi Songs 2024 

"Hai Ni Mera Balam Hai Bada Zalam" is a classic Punjabi song performed by Shamshad Begum, with music by Hansraj Behl and lyrics by Verma Malik. It is from the 1961 film "Guddi."

The song is a humorous and slightly exasperated complaint from a wife about her husband's unpredictable behavior. The title itself translates to "Oh, my husband is so cruel."

The lyrics describe a man who is a mixture of being loving one moment and cruel the next. She sings about how he sometimes shows her affection but then "hits" her with his harsh words. She questions this inconsistency in his behavior, saying that he sometimes smiles and calls to her, but then gets upset and storms away for no reason.

The song is a playful take on the dynamics of a relationship where one person's mood swings keep the other on their toes. It captures the singer's confusion and frustration, but also hints at a deeper affection despite his "cruel" nature.

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गिरे जाते हैं हम खुद , अपनी नज़रों से.... (Girey jaatey hain hum khud, apni nazron se)

गिरे जाते हैं  हम खुद , अपनी नज़रों से, सितम ये है

बदल जाते, तो, " कुछ रहते " मिटे जाते हैं,  ग़म.." ये "..है

Pyaar De Bhulekhe - Mohd Rafi & Lata Mangeshkar - Guddi - Hansraj Bahl

 

"Pyaar De Bhulekhe" is a beautiful and classic Punjabi duet, and your information about its singers, film, and music director is spot on!

• Singers: The legendary voices of Mohammed Rafi and Lata Mangeshkar coming together is always a magical combination. Their ability to infuse deep emotion into every note made them unparalleled.

• Film: Guddi is likely referring to a Punjabi film, as the music director and the song itself are deeply rooted in Punjabi cinema and music. (It's important to distinguish it from the famous Hindi film "Guddi" from 1971, which had different songs).

• Music Director: Hansraj Bahl was a highly respected and prolific music director in Punjabi cinema, known for creating soulful melodies that captured the essence of Punjabi culture and poetry.

"Pyaar De Bhulekhe" would typically be a romantic song, perhaps exploring themes of:

• The illusion or delusion of love ("bhulekhe" can mean illusions, misunderstandings, or strong perceptions).

• The sweet confusion that love brings.

• The lingering thoughts or memories of a beloved.

With Rafi Saab's evocative male voice and Lata Mangeshkar's ethereal female voice, under the masterful direction of Hansraj Bahl, this song would undoubtedly be a timeless piece, rich in melody and emotion, celebrating the complexities of love in a truly Punjabi style. It's a classic that Punjabi music lovers cherish.

(This video is posted by channel – {Filmi Gaane Sune Ansune} on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)

अति की चाह (स्वरचित )

मेरी पहली रचना जिसे मैंने एक कविता प्रतियोगिता में भाग लेने के लिए लिखा था जिसे बहुत सराहा गया था | 

हुक्मनामाँ

हुक्मनामाँ 

किसी का हुक्म है सारी हवाएं,

हमेशा चलने से पहले बताएं,

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Rishab Rikhiram Sharma

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(This video is posted by channel – {Shemaroo Filmi Gaane} on YouTube, and Raree India has no direct claims to this video. This video is added to this post for knowledge purposes only.)