Tuesday, December 30, 2025

My Dying Conscience ...A Poem by Rashmi Trivedi

Sometimes in the dark of the night,

I visit my conscience
To see if it is still breathing,
For its dying a slow death
Every day.
When I pay for a meal in a fancy place.
An amount which is perhaps the monthly income
Of the guard who holds the door open.
And quickly I shrug away that thought,
It dies a little.
When I buy vegetables from the vendor,
And his son "chhotu" smilingly weighs the potatoes,
Chhotu, a small child, who should be studying at school.
I look the other way
It dies a little.
When I am decked up in a designer dress,
A dress that cost a bomb
And I see a woman at the crossing,
In tatters, trying unsuccessfully to save her dignity.
And I immediately roll up my window.
It dies a little.
When I buy expensive gifts for my children,
On return, I see half clad children,
With empty stomach and hungry eyes,
Selling toys at red light
I try to save my conscience by buying some, yet
It dies a little.
When my sick maid sends her daughter to work,
Making her bunk school
I know I should tell her to go back.
But I look at the loaded sink and dirty dishes,
And I tell myself that is just for a couple of days
It dies a little.
When I hear about a rape
or a murder of a child,
I feel sad, yet a little thankful that it's not my child.
I can not look at myself in the mirror,
It dies a little.
When people fight over caste creed and religion.
I feel hurt and helpless
I tell myself that my country is going to the dogs,
I blame the corrupt politicians,
Absolving myself of all responsibilities
It dies a little.
When my city is choked.
Breathing is dangerous in the smog ridden metropolis,
I take my car to work daily ,
Not taking the metro, not trying car pool.
One car won't make a difference, I think
It dies a little.
So when in the dark of the night,
I visit my conscience
And find it still breathing
I am surprised.
For, with my own hands
Daily, bit by bit, I kill it, I bury it.......


Rashmi Trivedi

Sunday, December 28, 2025

The Ultimate Guide to Caring for Houseplants

Houseplants bring life, color, and freshness into any space. Whether thriving in a sunny window or brightening a shaded corner, they can transform a home’s atmosphere. Proper care ensures they stay healthy and vibrant year-round.

Choosing the Right Houseplants

Selecting plants suited to the environment is the first

ना कहना...Ek kavita

जीवन में किसी को ‘हाँ’ कहने से

कहीं अधिक मुश्किल होता है ‘ना’ कहना
इतिहास गवाह है कि
‘ना’ कहने वालों ने हर जमाने में
तमाम जहमतें उठायीं
दर-दर की ठोकरें खायीं
फिर भी झुके नहीं ऐसे लोग किसी के सामने
कहा.... वही
जो लगा ....सही
‘ना’ दुनिया का साफ़-सुथरा
और साहसिक वक्तव्य है
जिसे बोलना तस्दीक करता है यह
कि जब तक दुनिया में रहेगा यह ‘ना’
प्रतिरोध का माद्दा बचा रहेगा इस धरती पर
तानाशाह जब भूल जाते हैं सुनने की आदत
‘ना’ की एक अस्फुट सी ध्वनि
उन्हें बेइन्तहा परेशान कर देती है
‘ना’ की एक आवाज
सर्वसम्मति की हजार-हजार आवाजों से
बिल्कुल अलहदा दिखायी पड़ती है
ऐसे में जबकि खत्म होती जा रही है
इस दुनिया से प्रतिरोध की तहजीब ही
आदमी की ताकत है यह...... ‘ना’
जिसे नष्ट नहीं कर पाए
एक से बढ़ कर एक मारक हथियार भी
अगर बचाए रखनी है इस धरती पर इंसानियत
तो बचानी होगी हमें अपने पास
सख्ती से.... ‘ना’ कहने की तहजीब...

Thursday, December 25, 2025

इतना-सा मनुष्य होना ( Ek Kavita)


















शहर की बड़ी सब्जी मंडी में

एक किनारे टाट का बोरा बिछाकर
अपने खेत की दो-चार ताज़ी सब्जियाँ
लिए बैठी... रमैया
अक्सर छुट्टे पैसों के हिसाब में
करती है गड़बड़ ।

न...न....यह समझ लेने की भूल मत करना
कि रमैया को नहीं आता
इतना भर गणित,
हाँ बेशक, दो-पाँच रुपए बचाकर
महल बाँधने का गणित
नहीं सीखा उसने ।
घर में काम करती ...पारबती
मालकिन के कहने पर
सहर्ष ही ले आती है
दो-चार किलो मक्की
अपने खेत से
और महीने के हिसाब में
उसका दाम भी नहीं जोड़ती ।
उसे मूर्ख समझकर
एक तिर्यक मुस्कान
अपने होठों पर मत लाना,
अनाज की कीमत ...जानती है वह
लेकिन मालकिन के कोठार में
उसके अनाज का भी हिस्सा है
यह भाव... सन्तोष से भर देता है उसे ।
सफाई वाले का लड़का... विपुल
अच्छे से जानता है कि
कोने वाले घर की शर्मा आंटी
उसे एक छोटा कप चाय पिलाने के बहाने
अपने बगीचे की सफाई भी
करवा लेती हैं उससे,
ये मत समझ बैठना
कि कॉलेज में बी.ए. की पढ़ाई करता विपुल
परिचित नहीं है
"शोषण" की शब्दावली से,
लेकिन खुश होता है वह कि
सुबह-सुबह की दौड़-भाग के मध्य
आंटीजी का एक काम
उसने निपटा दिया ।
आप बेशक इन्हें कह सकते हैं
निपट मूर्ख, गंवार, जाहिल और अनपढ़
लेकिन बोरा भर किताबों की पढ़ाई
अगर सिखा न सके मानवीय मूल्य
अगर गहन न हो हमारी संवेदना
अगर समझ न सकें हम
सामाजिक ताना-बाना
तो कम पढ़ा-लिखा होने में
क्या बुराई है?
कम से कम बचे रहेंगे मानवीय मूल्य
बचा रहेगा प्यार, स्नेह, सौहार्द
बचे रहेंगे रिश्ते
बचा रहेगा विश्वास
और बचा रहेगा
हमारा इतना-सा मनुष्य होना ।


Artist Credit: Mr. K.N. Ramachandran

Paintings by artist Maria Gordeeva

Maria Gordeeva is a contemporary Ukrainian artist, born in 1970 in Kharkiv. Her work is primarily rooted in Realism, though she occasionally experiments with Surrealism and Impressionism. She is known for her ability to find beauty in everyday objects and the natural world, often stating that "painting is a language that can communicate emotions and feelings better than any language in the world."

Key Subjects and Style

Gordeeva’s portfolio is diverse, but she focuses heavily on two main genres:

  • Landscapes: Her favorite genre. She frequently paints "setting sun" scenes to capture the peaceful, eternal state of nature.

  • Still Lifes: She often depicts fruits, flowers, and glassware (e.g., champagne and cheese), focusing on the "magic of oil colors" and the play of light.

  • Style: Most of her works are oil on canvas, characterized by rich textures and a realistic approach to light and shadow. She also works with acrylics and watercolors.

Notable Paintings

While she has a vast body of work in private collections worldwide, some specific titles and themes include:

  • "Autumn": A classic oil on canvas showing her signature landscape style.

  • "It is Getting Dark": A landscape focused on the evening sun and the connection between the artist and nature.

  • "Fruits, Wine and Cheese": A recent (2025) still life showcasing her realistic technique.

  • "Champagne and Fruits": Another detailed still life involving reflections and glass textures.

  • "Orange on Blue": A conceptual food-themed painting using high-contrast colors.

Professional Background

  • Education: She studied at the Kharkiv Art College (under N.N. Khmelevskaya) after winning several youth art competitions in her hometown.

  • Exhibitions: Her work has been showcased in solo exhibitions in Ukraine (Zhytomyr and Dnipro) and the United Kingdom (Portsmouth). Her most recent significant exhibition participation was titled "Art of the Unconquered" in Dnipro.














































Tuesday, December 23, 2025

How to speak confidently without making sound of "umm" and "aaan"

That "um" and "ah" habit (physically known as filler words) usually happens because your brain is moving faster than your mouth—or because you're afraid of the "dead air" while you think of the next word.

Here is a practical guide to reclaiming your silence and speaking with more authority.

1. Embrace the Power of the Pause

Monday, December 22, 2025

Homebound Movie Review

Neeraj Ghaywan’s Homebound has received widespread critical acclaim since its release in September 2025. Critics are calling it a "soul-stirring" and "deeply empathetic" masterpiece, with many comparing its emotional weight to Ghaywan’s debut, Masaan.

Critical Consensus

The film holds a rare 97% on Rotten Tomatoes and a Metacritic score of 85, indicating universal acclaim. Most critics praise the film for tackling systemic issues like caste and religious identity through a deeply personal, human lens rather than a preachy one.


Review Highlights

  • Performances: * Ishaan Khatter (Shoaib): Described as a "career-defining" and "magnetic" performance. Critics noted his ability to portray the quiet rage and practical desperation of a young Muslim man.

    • Vishal Jethwa (Chandan): Hailed as an "absolute revelation." His portrayal of a Dalit youth hiding his identity to escape exclusion was praised for its raw honesty and restraint.

    • Janhvi Kapoor (Sudha): Though her role is relatively small, she is noted for being "sincere" and providing a crucial perspective on female education and ambition within marginalized communities.

  • Direction & Writing: Reviewers from The Hindu and Variety highlighted Ghaywan’s ability to capture "subtle indignities" and "daily injustices" without resorting to melodrama. The dialogue, co-written by Varun Grover, is described as incisive and deeply affecting.

  • Technical Finesse: Pratik Shah’s cinematography is frequently mentioned for its "unflinching" look at the harsh realities of rural India and the grueling journey of migrant workers during the lockdown.


Score Summary

PublicationRatingVerdict
The Times of India5 / 5"Filmmaking at its finest... a soul-stirring observation."
The Indian Express3.5 / 5"Offers compassion and cautious optimism we desperately need."
Rediff4 / 5"Deeply moving... the simmering anger is not sanitized."
WIONPositive"A triumph of empathy... stays with you long after the film ends."

What the Critics Say

"Homebound hits like a thunderbolt... It not only compels you to confront your own privilege but also lays bare the complex layers of gender-based disparity."Times of India

"The first time in ages that a mainstream Hindi-language production has felt vital... a searing indictment of modern India."Siddhant Adlakha, Variety


A Note for Viewers

While the film is heartbreaking and deals with the brutal reality of the 2020 COVID-19 lockdown, reviewers emphasize that it is a story of friendship and resilience rather than just tragedy. It avoids "poverty porn" by focusing on the agency and dreams of its lead characters.

Homebound is currently available to stream on Netflix (released on November 21, 2025).

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